The Ides of March (2011, U.S.)

I went to see this with my mom because she wanted to see it, and it was better than my other option. Why did I not want to see a movie with the sexy and talented Ryan Gosling, you ask? Well, aside from the fact that I fluctuate between finding George Clooney passable and downright annoying, this subject matter just didn't interest me at all. The matter of politics is depressing enough in the real world without having to see it in a fictional world too. What kind of escapism is that, I ask?

Well, it went just about as expected. Gosling was stellar, of course. Clooney was actually pretty good. (This was not one of those movies when I wanted to yell "Shut up, you irritating man!") The supporting cast—Marisa Tomei, Philip Seymour Hoffman, Paul Giamatti, Evan Rachel Wood, Jeffrey Wright—was obviously a strong one. I couldn't say one bad thing about the acting. I also learned a whole lot about the campaigning process, from logistics to worker motives to the sordid details of life on the road. The plot was complex and certainly engaging.

But. When it comes down to it, I left the movie feeling distinctly unhappy. Is there really any resolution? Did the characters grow? Why was this film made and why do we watch it? It wasn't unsettling exactly, or depressing, or entirely off-putting. But leaving a movie with that empty sort of feeling makes me feel all out of sync. It's one thing to be sobbing and depressed, but feeling out of balance with the world is something I just don't like.

Still, I think the movie has many things going for it, and it is the perfect movie for the right kind of viewer. I wouldn't be surprised if it got some Oscar nods.

Rating: 3.0