Anna Karenina (2012, UK)

Sheesh. So it was easier to get through this movie than it was to get through the novel, but I didn't like it nearly as much as the Vivien Leigh version. For one thing, the whole artsy, pared down stage setting thing was just too much. They were trying way too hard to be clever with that one, and it took away from the story. A lot. Plus the adaptation completely missed the purpose of the book, although that seems to be true of every AK adaptation I've seen. At least Levin seemed to have a more prominent role here than in the Leigh one, which helped.

Also, I was majorly unimpressed with the casting. I know, normally I think Knightley and Law are awesome, but here they were completely blah. Of course, it could have been the uninspired script. And the guy who played Vronksy... ugh. I did love Matthew Macfayden as Oblonsky, however. He's awesome.

And Marianelli's score was beautiful. Really helped carry things!

Rating: 3.5

World without End (2012, UK)

It wasn't Pillars of the Earth, but it was still quite good. Almost everything paled in comparison to Pillars, from casting to script adaptation. I thought the adaptation largely missed key points from the novel, which was unfortunate. I hate to be so critical, because it was really good, but it could have been phenomenal instead of just great. Still, I would watch it again. And again and again. And that's about all I have to say on that!

Rating: 4.0

Les Misérables (2012, UK)

I have such mixed feelings on this one. I loved parts and I really disliked parts. I had never seen this musical in any form before, so I'm not sure how much of that is the musical and how much is the adaptation. For instance, I thought that a lot of the story was very jerky and disjointed. In middle or high school I had read an abridged version of the novel, and I remember there being a lot more to it than was found in the musical. I remember there being more Fantine, more of young Cosette, more of Marius and his buddies, more to Jean Valjean's story and his relationship to Javert... just more everything! In fact, a quick glance at Wikipedia tells me I'm not wrong: "the novel elaborates upon the history of France, the architecture and urban design of Paris, politics, moral philosophy, antimonarchism, justice, religion, and the types and nature of romantic and familial love." So clearly the point of the story suffered in the condensing process and made the historical parts of the plot harder to follow.

Anyway, to the music. I really enjoyed the big "group" numbers, "Look Down," "ABC Café / Red and Black," "One Day More," and "Do You Hear the People Sing?" I liked the Thénardiers' "Master of the House" for similar reasons, but I didn't like the Thénardiers at all. I don't know if they were solely for comic relief for a musical with a very serious subject or if Helena Bonham Carter and Sacha Baron Cohen were just too over the top (somehow I think it's the latter), but they were just too distracting. I also thought a lot of the individual numbers were overdone, as if they were trying to perform on stage and project the emotion, forgetting that the audience is much more immediate in film. They had the right idea, but it was just too much. For instance, Fantine's "I Dreamed a Dream" and Valjean's "Valjean's Soliloquy." However, I was absolutely enchanted by young Cosette's "Castle on a Cloud" and thought Éponine's "On My Own" and Marius's "Empty Chairs at Empty Tables" were beautifully done. (Although I must say, despite my love for Eddie Redmayne, I thought a little bit of that song was out of his range. Either that or his voice cracks way too much when he is crying and singing!) In general, I thought Éponine, Marius, young Cosette, and the ABCs were the big standouts in this film. Lastly, I was very underwhelmed with both Hugh Jackman and Russell Crowe's singing abilities. Jackman wasn't terrible, but I think he would be much better with more chipper-sounding music. Crowe just didn't enunciate or emote much at all, which made his multitude of songs very jarring (despite some seemingly beautiful lyrics about the stars especially).

Of course visually it was stunning: sets, costumes, makeup, hair. The main exceptions were the Thénardiers (who just stood out too much visually as well) and the prostitutes who Fantine takes up with (they were garish, as they should have been, but something about them was too much as well). My friend informs me that the role of the priest was played by the "original" Jean Valjean, so that was cool too.

Now I've downloaded the soundtrack so I can start listening and memorizing the words, which will help me get a better feel before I watch it again. I also think I may need to read the book (unabridged this time), because it really is a fantastic tale and I know there's so much more to it.

Rating: 3.5 

Diary of a Lost Girl (1929, Germany)

My cousin and I were talking about how we both wanted to see a Louise Brooks movie, so we ended up watching this one together. It was truly fascinating how risqué a pre-Hays code film could be. There was a man with many mistresses, a young girl seduced by an older man, out of wedlock pregnancy and subsequent adoption, a girls' reformatory with questionable ownership, prostitution... I mean, wow. Melodrama!

For the most part, the film was easy to follow, though some parts I had to look up later to see what exactly had happened. I don't know how much of that was my not being used to watching silent film and how much was a lack of clarity on the part of the filmmaker. Still, as I said it was mostly understandable, and rather engaging as well. It was a bit too melodramatic for my taste, but it was clearly a product of the times. I supposed to main reason to watch it today (or in 1929 for that matter) is to soak in the performance of Louise Brooks. Her big innocent eyes just capture the viewer. It's hard to tear yourself away.

Just fascinating!

Rating: 3.5

Moonrise Kingdom (2012, U.S.)

This movie is a charming coming-of-age tale, but beyond that it's hard to describe. These two pre-teens meet each other and become pen pals. The girl is from a dysfunctional, seemingly wealthy family on a New England island, and the boy is an orphaned ward of the state attending camp on the island. They decide to run away together.

There are many laugh-out-loud moments and touching moments alike. The ensemble cast was very well put together, and the new young actors who played the runaway children were especially brilliant.

As I said, it's very hard to describe this whimsical, strange movie, but it is definitely worth seeing.

Rating: 3.5

The Hobbit: An Unexpected Journey (2012, U.S.)

I hate to say it, but yawn. I was kind of expecting it, to be honest, but it was still disappointing anyway. It started out so well with the arrival of the dwarves, invading Bilbo's home and pantry, cheerfully singing their clean up songs and mournfully singing their treasure songs. I was pretty excited then, because those early scenes in Bilbo's hobbit-hole were perfect. It was all downhill from there.

Mainly the problem is that a book, essentially a children's fairy tale, that should have been made into one movie is being stretched painfully into three. "Like butter scraped over too much bread," if you will. They drew out things that hadn't happened in the books, bringing characters on screen that were simply mentioned by other characters, namely Radagast the brown. Him and his stupid bunny sled were ridiculous. The book is mostly from Bilbo's point of view, and I certainly don't remember any description of what the dwarves were doing while he was lost in the dark in the Misty Mountains, and the giant fat albino goblin type thing that they encountered was just stupid. Also as much as I love them, I could have done without Elrond and Galadriel. Ugh, huge parts of it were just frustrating.

I'm being generous and giving this a 3.0 because of course Middle Earth was as beautiful as always and the casting of Bilbo and the dwarves was great and the early scenes were so enjoyable, but honestly it was just boring for huge parts. Very sad. Should have been one movie only. Duh.

Rating: 3.0

The Amazing Spider-Man (2012, U.S.)

Oh, how sad I was to find this movie so run-of-the-mill. I had heard such great things about it and I'm a huge fan of Andrew Garfield, but alas, it just felt like every other super hero movie, really.

I'm not sure what it was. The cast was great: Andrew Garfield, Emma Stone, and Rhys Ifans usually stand out to me. Sally Field and Martin Sheen were really great as Peter's aunt and uncle. I enjoyed the focus on the science aspect. The action scenes were good. So why did it seem to fall flat?

The only thing I can think of is that I was not convinced by "The Lizard." His initial transition was good, but then he just seemed to fall on the corny side as far a supervillains go. So that's really all I can come up with. It was good, but it didn't blow me away. Another victim of hype.

Rating: 3.5

Breaking Dawn, Part 2 (2012, U.S.)

I am stunned! I really didn't like the second half of Breaking Dawn (the book), so I expected the movie to be even worse. Mainly, I absolutely hated that stupid kid. However, in the movie you can actually see why she was so appealing to everyone, which makes the second half so much more sensible!

But I get ahead of myself. I want to start with how amazing the credits were. I'm getting them confused in my head (opening and closing), but I believe it was the opening credits that were all black and white with hints of red, really artfully done. The closing credits did this amazing thing where it showed the final words of the novel from the novel, and it felt like a book closing with this sort of finality. Then they did the kind of credits were all the main actors were pictured from the entire series, which furthered that feeling. Pretty awesome on both ends.

And the middle was really good too. Like I said, the kid was not annoying. They simplified the whole "Jay" sideplot to work with the movie. The supporting cast of vampires was really amazing, although I have to say a big part of why I didn't give this a 4.5 is because I felt like they were all short changed on screen time. The big fight at the end was just amazing, especially with all the twists that I had managed to completely forget from the book. I was completely nail-biting, which was completely unexpected.

Everyone belittles "KStew" and "RPattz," but I continue to think that they're both great actors. Maybe this isn't the best vehicle for them, but still. Stewart does a convincing job as someone finally getting in touch with her real self. The contrast between the awkward human and the graceful vampire is very obvious if you compare the early movies to this one.

I thought this was a strong ending to the series, particularly with the above-mentioned credits that tied the movie into the book and tied all the movies together. I'm looking forward to a marathon when it comes to DVD.

Rating: 4.0

You Only Live Twice (1967, UK)

Well, talk about ridiculous! I feel like I should have seen all these old Bond films before the new ones, because the picture I had of him in my head (cemented by the modern films) was much less cheesey!

On one hand, this one had some pretty amazing elements, including an epic car chase and some hints and Japanese culture. Also, Bond's "assassination" at the beginning of the film was pretty sweet. On the other hand, it got downright racist (particularly when Bond was disguised as a "Japanese man") and the whole SPECTRE-stealing-spaceships-from-space thing was just plain silly!

I'm a bit at a loss on this one. I loved parts; I hated parts. I just don't know.

Rating: 3.0

Skyfall (2012, UK)

First I have to say how interesting it was to watch this right after watching Thunderball. Instead of sharks, Skyfall had komodo dragons. Instead of Domino, Sévérine. Both had underwater scenes, though Skyfall's were much better (and shorter). Bond was recovering a hard drive instead of nuclear weapons, but the mission was similar. He makes love in a glass-walled shower instead of a glass walled-steam room. He spent time at the beginning recovering from grievous injury. The day was partially saved by homing devices from Q. All these strange similarities, and which movie was better? Skyfall by a landslide. (Though don't get me started on how a large part of this movie was very Home Alone!)

It's also interesting how much the Bond movies say about the society in which they're made. Connery's are so very '60s. Craig's are so very 21st century. These days we're much more concerned with how characters got where they are, back stories and raking over emotional coals and exploring the psyche. Connery's Bond was much more action, sex, and martinis in comparison. M had a quasi-speech in front of many government officials saying that her department was still relevant in this day and age because of how things have changed (the exact reason the government thought they were becoming obsolete). She talks about how our enemies no longer have faces but operate in the shadows. It was fascinating, and in addition to being a great plot point, it also speaks to why Bond is still relevant in the 21st century. But anyway.

To start with the beginning: It was very interesting how much happened before the opening credits, but it worked pretty well. On the other hand, the way they set things up made it impossible to use the classic gun barrel shot in the opening credits and it had to be reserved for the ending instead. A bit disappointing. I thought Adele's song was perfect. It harkened back to the days of classic Bond, very smooth and sexy. Unfortunately, the imagery on the credits was just too much. It tried to blend modern elements with the classic elements, and it just made me feel like I was getting sea sick in Willy Wonka's tunnel, if you know what I mean. It's unfortunate because some pieces were exactly right, and if they hadn't been so ADD and emphasized those elements, the credits could have been just right. (Therefore Casino Royale still wins for credit images and music!) As for the rest of the score, Thomas Newman is one of my favorites of course, and I thought he did a good job of fitting in rather than standing out, which worked for the film.

Of course Daniel Craig is my favorite Bond, and this was a great movie. There was tons of action, but it didn't feel like too much like Thunderball did. The opening chase through Istanbul via car, motorcycle, foot, and train was awesome. I mean awesome. This is the first time I've seen Ola Rapace (former husband of Noomi) in action, and he did his scenes well. Sadly I don't think he had the opportunities for close-up facial acting like the parkour runner of Casino Royale did. Still, his scenes with Craig were sweet. They have another fight in Shanghai with all this neon lighting in the background so there is this amazing silhouette effect going on as well. (Craig later has a silhouette scene against a backdrop of fire which is also sweet.) So anyway, there is a lot of action and it is all beautifully choreographed and filmed. It was just a joy to watch.

The acting was also good. I was especially fond of Naomie Harris as Eve. (I saw where they were going with her character from a million miles away, so that was kind of disappointing, but she still stood out.) Her chemistry with Craig was also great. Judi Dench... what can I say? Daniel Craig was of course magnificent. And Javier Bardem... wow. The guy has creepy down to an art form! The cadence of his voice, his mannerisms, everything about him was just... yeah. Also of note was the chemistry between Bond and Q.

The plot was great, but I also wanted more more more! There was all this hinting about M's past, and a little comes to light, but it just wasn't enough. Ditto Bond's. I can't say much more without giving a lot away. In fact, almost everything I want to say is a spoiler! I will finish by saying that there was a hinted return to the "glory days" of Bond. They were clearly testing out some one liners, a classic Aston Martin showed up, certain characters appeared. It should be interesting to see where things go from here.

Rating: 4.5

Thunderball (1965, UK)

At first I was enjoying this movie, but to be honest I think the ending completely killed it. I'm glad to see elsewhere online that I'm not the only one to think that while the underwater fight sequences were cool, they dragged on and on to the point where I honestly lost interest. My attention drifted for awhile before I snapped back and watched the last few minutes.

Until then, it was pretty clever. I liked SPECTRE's complicated plan to steal a NATO plane and two nuclear weapons, which was complicated and bordering on ridiculous but still strangely plausible. I liked Largo and his lair, complete with man-eating shark pool. I liked his mistress Domino, who is essentially trapped with Largo, her role in Bond's mission, and her penchant for only black and white clothes. The early part of the movie where Bond is recovering from injuries at a health-spa type place was interesting because it showed that he was only human (although I could have done without the jetpack escape from the fight that put him there).

Overall it was a good one, but I could have used more traveling and edited-down underwater sequences.

Rating: 3.5

Notting Hill (1999, UK)

I was reading (and loving) this book called From Notting Hill with Love... Actually by Ali McNamara, basically a chick lit whose main character loves chick flicks. Of course she mentions this one constantly, and since I've never seen it, I decided to give it a go.

So, eh. To start with, I just have never seen the appeal in Hugh Grant. Sure, I liked him in Bridget Jones as the skeazy Daniel Cleaver, and he's definitely attractive, but his nice guy roles are never that enjoyable to me. I like Julia Roberts quite a bit, and one of my all-time favorite chick flicks is My Best Friend's Wedding, but for some reason I had a bad feeling about this one. Maybe it's the smirk she has on in poster.

Yeah, the concept was cute, but I wouldn't it make more sense for a chick flick to be about a famous man falling for a normal woman, instead of vice versa? I mean, that would make the predominant audience swoon. (Though I do love a man in a bookstore!)  And the whole romance was really sweet. The spilling orange juice, the awkwardness of the first meeting... but then she randomly kisses him and it feels very disjointed, and that's the whole basis for their continuing relationship. I feel like if the initial attraction made more sense and flowed more smoothly, the good parts about the rest of it would have seemed great. (For instance, him having to interview her and pretending to be a journalist from Horse & Hound!)

And okay, I always say that I love Rhys Ifans and he is an under-appreciated actor, but in this case, I had too much of him the second he was on the screen. His character is dirty, both literally and figuratively, and he just made my skin crawl. Why was he there? Sure he made Hugh Grant's character look even more charming (and normal!) in comparison, but for the most part his ewwww factor completely took away from the story. For that alone, I went from a 3.0 to a 2.5.

There are better chick flicks out there. I need to go have a Bridget Jones lovefest to rinse this one out of my brain. And just as a side note, in case anyone is even reading this or cares, apparently there's going to be a third Bridget Jones movie. Now that's what I call good news!

Rating: 2.5

Goldfinger (1964, UK)

This movie was so stupid but it was my favorite one so far! I mean, the superspy has to stop a fat German guy who is a bit crazy, kills women by dipping them in gold, and plans to break into Fort Knox! (Not to mention Oddjob, his nutso Korean henchman who can kill people with a fling of his razor-sharp bowler hat!) A fellow movie buff said that if I thought that Dr. No was bad I would hate this one, but somehow its common elements (corny villain in a corny lair, mostly) were terrible in Dr. No but good here.

The locations weren't so exciting here. Switzerland was nice, but then it was Florida, Baltimore, and Kentucky. I guess that's exotic to a posh guy from Britain. Still, the model of Fort Knox was pretty realistic looking, which was cool.

An interesting aspect of this one was Pussy Galore and her Flying Circus. First, Honor Blackman is still the oldest Bond girl ever cast, and yet I thought she was sexier than many I've seen. It might have been her voice. Second, her female pilots are very girl power. Sure, they wear stupid sexy outfits, but they're pilots. That's pretty impressive for 1964. (I gather in the book they were acrobats and cat burglars, so this was a definite upgrade.) I thought that her manner, crew of self-reliant ladies, and initial disinterest in Bond all subtly suggested lesbianism, but quickly dismissed it from my mind. However, turns out the Pussy Galore of the book actually was gay. Now that really is risky for the 1960s, though it certainly explains the name (and why she doesn't fling herself at Bond like a bimbo). So far she's my favorite Bond girl because she's so self-possessed, self-assured, and self-aware. (Of course plot-wise I still love Vesper Lynd, but she's not exactly her own woman.)

So the verdict here is ridiculous but good!

Rating: 4.0

From Russia with Love (1963, UK)

I definitely liked this more than Dr. No because there was more plot and less ridiculous villain's lair. Basically he knows that the Soviets are trying to ensnare him with a sexy female agent, but MI6 is so desperate for the decoding device she has that they don't care.

After a weak start in the Caribbean in the first movie, Bond really starts his travels here—Istanbul, Venice, Zagreb... There are also scenes in Russia, though he's not there. Sure the less than crystal-clear quality that we're used to in modern movies and the dated clothing might have taken a bit away, but I still loved the scenery. I think the ability to see the world is one of the best things about the Bond movies.

We also begin to see here that Bond has friends conveniently placed throughout the world (most of whom turn out to be jovial middle aged men) and that while he treats women as disposable when it comes to sex, he does care about women as people too. (Exhibit: worry over fate of Russian spy.)

Things are looking up as I continue to work my way through Bond.

Rating: 3.5

Romantics Anonymous (2010, France)

This was a cute enough movie with some good underlying serious issues, but I was still a bit disappointed. Having heard it described as Amélie meets Chocolat, I was expecting greatness. It wasn't bad, it just didn't live up to its hype—or its potential.

I did love the two main actors. Both were absolutely endearing and... I can't think of the word. Normal and average don't quite get it. Maybe ordinary? I think the title must have been a play on words, because while they were both secretly romantics, they were also overemotional (mostly anxious). Their anxiety was fascinating to watch. It was of course overplayed for comedy, but it also rang true. It was a delicate balance that ultimately succeeded.

 The setting was also a lot of fun. They work in a struggling chocolate factoring that needs rescuing, and all four of their coworkers are just right and all a bit stereotypical. Two mothering middle aged women and two young, slender, androgynous men who are all invested in the company and in the lives of their boss and the new employee.

So with all this charmingness, how did it fall short? There were just too many places were things were set up for a perfect line or plot twist that never happened. Everything was too easy (even for a romantic comedy) and a brilliant concept ultimately went to waste. I would still recommend it, just not too enthusiastically.

Rating: 3.5

Dr. No (1962, UK)

I decided to start watching the James Bonds films from the beginning, since I've only seen the Daniel Craig ones and maybe one or two Pierce Brosnan ones. I don't know if I'll get all the way through them, but we'll see what happens.

This wasn't quite the "wow" opening that I was expecting. Even the opening credits were a bit odd. They included three different songs that abruptly, rather than smoothly, transitioned. The dancing girl silhouettes in neon colors were very Bond, but they didn't seem to fit the rest of the movie. I was also a bit disappointed with the intro to Bond. The only reason he's "Bond, James Bond" is because the girl he's talking to introduces herself the same way first. Also, he seemed to fall on the sleazy side of the sexy/sleazy line when it came to sleeping with girls. I mean, knowingly sleeping with someone you're about to arrest... Shouldn't there be a law against that for government agents?

Anyway, I found the rest to be delightfully corny. Ursula Andress was a very sexy Bond girl, and I loved that he laughed at her name—Honey Rider. The supervillain was supercorny, as was his underground lair. I'm not quite sure about MI6 sending off an agent to do work that should be the CIA's business, particularly for a first outing, but still a fun flick.

Rating: 3.5

The Dark Knight Rises (2012, U.S.)

Ugh. What just happened? I saw this with my brother, who was seeing it for the second time, and his reaction seemed pretty close to mine, even knowing what was going to happen. It was so confusing. I feel like I'm throwing the word "disjointed" around a lot these days, but that's just what it was. The timeline was very unclear. It seemed like events were happening very close together, but suddenly a change in the weather indicated that it had actually been months or more. (I think we decided that the main timeline, not counting flashbacks, was a little over a year.)

The acting was good, the sets were good, the costumes were good, the Bat-toys were awesome (I love that motorcycle thing)... But the plot was just overly ambitious and the writing lacked flair. The villain Bane was supposed to be the coolest villain of all time, but I found him almost ridiculous. His face mask is never adequately explained, his voice was supposed to sound creepy and just ended up getting on my nerves, and various plot twists (which I won't give away) completely ruined the power he had as a villain and all of the impassioned speeches he gave (probably the best writing in the movie). Perhaps a lot of the let down stems from being the third in a series where the first was really fresh and the second was well-crafted and featured one of the most brilliant performances by one of the most brilliant actors of his generation (Heath Ledger). Or maybe it was just that unwieldy. It's hard to enjoy something when you're trying so hard to keep up. It's one thing with a foreign film or intense drama, but a super hero movie... I like smart movies with capes, but this wasn't smart, at least in its entirety.

I am having a hard time putting my feelings into words here, so I'll give it up. Stick to the first two installments.

Rating: 2.0

Angus, Thongs, and Perfect Snogging (2008, UK)

How fitting... Immediately after a middle-aged romantic comedy, I see a teenaged romantic comedy! The series of books that this movie was based on might have been the only young adult books that I read as a young adult. When I saw that they had made a movie, I was so excited. But it didn't come to the States, and it didn't come to DVD. We have just changed from dish to cable and gotten many new channels, and I've spent the last few days flipping and watching random stuff, something I haven't done in at least 5 years. Long (and pointless) story short, I turned to Nickelodeon or ABC Family or some such channel the second this movie was started. I was psyched!

I loved Georgia Groome. I didn't really have a picture of Georgia Nicholson clearly in my head (at least anymore), but she was exactly right. I also liked the actors who played her parents and Robbie (who kind of reminded me of a mix between Logan Lehrman and someone else I can't quite put my finger on). The movie was funny like the book (though maybe not as funny as I would have found it 13 years ago), and also really cute. It is definitely the Bridget Jones for the younger set. It was charmingly British and wonderfully uplifting for non-perfect girls everywhere.

I would definitely watch this again—bonus points for the nostalgia factor. I also keep telling myself that I need to reread these books sometime soon. Maybe now's the time!

Rating: 4.0

Hope Springs (2012, U.S.)

This was a cute movie. It's nice to see the middle aged equivalent of romantic comedies popping up here and there. While this wasn't as funny as It's Complicated, it was much more thought-provoking. It was very simply plotted (a couple goes to out-of-town marriage counseling) but unflinchingly honest. The humor was the humor of reality, and at times it could even be called uncomfortable.

Meryl Streep is just lovely and brilliant, of course. Tommy Lee Jones was beyond perfect as the husband. I can't even put into words how he embodied the character of a set-in-his-ways, taking-his-wife-for-granted, slightly curmudgeonly man of a certain age. As a couple, they had the perfect chemistry, for lack of a better word. I could easily believe that they were a couple of more than 30 years, living in the same house in separate bedrooms and dealing with the issues they speak to their counselor about. Speaking of the counselor, Steve Carell didn't stand out here, but he was perfect as a therapist gently nudging his clients into discovering themselves and the issues in their partnership. Letting Streep and Jones shine with his understated performance was the best possible choice.

I would definitely recommend this to ladies (and gentlemen) of a certain age.

Rating: 3.5

Sarah's Key (2010, France)

My book club read this novel for August, so we decided to get together and watch the movie too. I think every single one of us was disappointed. We all felt that it was very disjointed, and we wouldn't have known what was going on if we hadn't read the book. The only person who hadn't read more than the first few chapters verified our reaction. With a novel of relatively short length and few characters, there really wasn't any reason for it to be so hard to follow.

It was also painfully unemotional. The book was moving, but the movie felt perfunctory. The only moment when I felt anything was when Sarah opened the closet. My heart nearly broke at the amount of emotion the young actress conveyed. However, with the magnitude of the story unfolding, other moments should have been heartbreaking too—particularly in the Vel' d'Hiv, in Drancy, at the Dufaure's... I could go on.

Kristin Scott Thomas wasn't bad, but honestly I got sick of her. Even though a majority of the novel also follows Julia, here it just felt too much. This was especially true because both of the actresses who played Sarah (as a child and as a young woman) were phenomenal. The best way I can think to describe both of them is "arresting" or perhaps "captivating." I was very surprised to see that the adult Sarah, Charlotte Poutrel, only has one other small credit to her name. Maybe she's not a great actress when she starts speaking, but her silence and the expressiveness of her eyes were enthralling.

Anyway, I probably wouldn't recommend this one, though I'd definitely recommend the book.

Rating: 2.5