Heaven (2002, Germany)

This was an enthralling, beautiful, sad, uplifting film. It is definitely one of a kind. Philippa seeks revenge for her husband's death by planting a bomb, but instead of killing the intended target, the victims are innocent bystanders instead. When she is arrested and interrogated as a terrorist (they don't believe her story about her husband), one of the officers is the young Filippo. He forms this inexplicable attachment to her and tries to help her escape.

Somehow the couple falls in love, and it seems improbable and inevitable all at once. They become twins, from their clothes to their hair to their situation to their already matching names to their quest for something more (perhaps the titular heaven). The effect is rather stunning, as is much of the composition. One shot of them standing under an enormous tree during a beautiful sunset is absolutely breathtaking. Their shadows meld together so that they become one person, a process begun by their previously mentioned physical transition.

Despite its simplicity, the plot seemed very confusing at times. I think this is probably because it was such a symbolic piece. The opening scene was especially jarring, though even it made sense in the end. I would give this a 3.5 because of its shaky plot foundations, but between the symbolism, the cinematography, and the powerful acting (Blanchett and Ribisi were incredible), this film really grabbed me somehow. A very pleasant surprise.

Rating: 4.0

Eat Pray Love (2010, U.S.)

Eh. The movie was better than the book, but that definitely didn't take much. And that's really about all I have to say about this movie. The scenery could have been exploited to much better effect. The writing could be stronger, but again, you have to consider the source material. I was most disappointed by the acting. I've always found Julia Roberts to be a very solid actress, and here she seemed weak. Whether it was the script or her, I couldn't say. I hope it was the former; on the other hand, her complete lack of chemistry with Franco or Bardem could have contributed.

I guess if you liked the book, you would like the movie. Otherwise, I wouldn't waste your time.

Rating: 2.5

The Tourist (2010, U.S.)

I mostly avoided all descriptions, reviews, and previews of this movie, except for the very first teaser trailer. Basically, I didn't care what it was about and I didn't want to have my opinion influenced beforehand. I love Johnny Depp and Angelina Jolie, and I couldn't wait to see them in action together.

This was a cute movie. Not exactly the adjective one would expect for a spy film, but there you have it. It's also quite slowly paced for the genre, so if you don't go in expecting a nail-biter, you shouldn't be disappointed. Basically anything can happen when you mix romantic comedy with espionage. Mr. and Mrs. Smith, this is not. (Then again, Depp and Jolie don't have the chemistry Jolie and Pitt had—but who could?)

The story? Elise sits next to Frank, an American tourist, on a train going to Venice. Her intent is to trick the police into believing Frank is her elusive lover, who is a mysterious fugitive. Frank (who is a nerdy, socially awkward math teacher) finds himself pursued by both the police and the mobster who Elise's lover owes money to. Elise finds herself falling for Frank (which is helped along by the fact that her lover has continually let her down) and vice versa (though it causes him nothing but trouble). There are several plot twists that should probably feel sudden but instead feel almost like a mild surprise. Somehow, it works well.

The cast is fantastic. Depp and Jolie are great actors, especially in the roles of nerd and seductress, respectively. Paul Bettany plays the lead inspector, and I wish he had a more prominent role. There's just something about him. Toss in Rufus Sewell as the stranger, and it was a solid cast.

I also thought the score was fabulous. Even if the film was a bit slow for the genre, the music said, "This is a spy flick!" I do love James Newton Howard.

I'm looking forward to re-watching this, knowing where all the twists and turns go.

Rating: 4.0

Letters to Juliet (2010, U.S.)

I thought that this movie looked really cute, and I like Amanda Seyfried quite a bit. Needless to say, I was quite disappointed.

The whole thing felt way too contrived, with stilted dialogue that almost bordered on wooden at times (and had a false ring a majority of the time). Overall, the writing was terrible. Aside from the dialogue problems, a lot of the plot was just too much of a stretch when it could have been much smoother. Parts were too easy, convenient, and basically unrealistic. I think "oversimplified" is the best word I can come up with.

The actors weren't bad. Seyfriend wasn't her best, but still cute. Her fiance was a Mexican actor playing a goofy maybe-Italian, which was a very strange choice. They do get extra points for casting Vanessa Redgrave, who is an absolute film goddess. I did like the male lead, who had very good comedic timing. He had a very strong (and to my untrained ear, accurate) British accent, but every now and then it went a little weird—turns out he's Australian. He also had something in his face (though not his acting) that reminded me of Heath Ledger, which was odd.

Anyway, this was a sweet concept that was terribly executed. Very unfortunate.

Rating: 2.0