Showing posts with label liam neeson. Show all posts
Showing posts with label liam neeson. Show all posts

Saturday, March 21, 2009

Taken (2008, U.S.)

Taken is one of the best suspense movies I've seen in a long, long time. I saw it because Meghan had been wanting to see it, and I rarely turn down a movie invite. In this case, I'm glad I didn't.

On the one hand, the plot of this film was ridiculously unbelievable. But at the same time, it was chillingly believable. A teenager and her friend go to Paris together, only to immediately fall for a cute French guy who is the tip of a human trafficking iceberg. Her ex-military father is determined to hunt them down and save his daughter before it's too late.

The action is great. Even the violence falls perfectly between gory and stylized, which is the only kind of violence I really like in a film. Unlike the last suspense film I saw (The International), how Neeson's character figures out the clues to get from point A to point B makes sense. The acting is phenomenal. The filmmakers also did an exceptional job with making the characters truly realistic, even down to a very convincing father-daughter relationship between Neeson and Grace. Really, this relationship was the backbone of the entire film.

I'm not one to watch action movies over and over again, but I could definitely see giving this one a second viewing. It was incredible.

Rating: 4.0

Thursday, August 14, 2008

Breakfast on Pluto (2005, Ireland)

Now these are the kinds of things I watch when my odd (but wonderful!) friends recommend films to me. We have Jeff to thank for this one.

Breakfast on Pluto is the story of Patrick "Kitten" Braden, whose mother abandons him after his birth—he is the illegitimate child of the priest in the small Irish village. He begins cross-dressing from a young age. He hangs out with other unusual kids—a bohemian girl, a boy with Down's Syndrome, and a future IRA revolutionary. He causes a lot of trouble in his Catholic school. In other words, he's just an odd duck. But he always, always stays true to who he is inside, no matter how much external forces threaten him or not take him seriously. (He continually has to tell people that he can take things seriously, but that they are too serious.)

So Kitten tells the story of how he sets out for England to find his long-lost mother, the strange things that happen to him along the way, and what he really finds in the end. It's about his character, and it's about his journey. That, combined with the interesting method of story-telling (he actually gives chapter titles and tells his own "autobiography") and the "big" themes (gender identity, cultural/Irish national identity), make this film unique. There are touching moments, funny moments, uncomfortable moments... It's just great.

And Cillian Murphy? Wonderful.

Rating: 3.5

Friday, August 8, 2008

Batman Begins (2005, U.S.)

I saw this film once at a party at my apartment junior year of college, but there was a lot going on and I didn't really see most of it. That might be because the first 45 minutes or so are kind of a drag. Really, that was my main complaint with this one. If the first 45 minutes were squashed into 10, the whole thing would be better. (Unlike The Dark Knight, which was even longer but never felt that way.)

Otherwise, I have only good things to say about it. Some of my favorite actors, a collaboration of two of my favorite composers, and my favorite bad guy from the "Batman" TV series I watched as a kid—the Scarecrow. I say he was my favorite... He scared me to death, but then isn't that what bad guys are supposed to do? Not to mention, Cillian Murphy is on the top of my all time creepiest actors list. Don't get me wrong, I love him. He is absolutely fantastic. But even the movies I've seen him in where he played a good guy, like Cold Mountain or The Wind that Shakes the Barley, he still gave me the creeps. Probably because the first thing I ever saw him in was either 28 Days Later or Red Eye. Now that was some perfect casting.

Christian Bale is also a very strong actor. I've been watching more and more of his work recently, and I don't think I've seen anything that I haven't liked. If only he wasn't paired with an awful actress like Katie Holmes... Maggie Gyllenhaal was a great replacement there.

The last thing I'll say is about the visuals of the film. They're great. The way that they created Gotham was amazing, exactly as I've always imagined it—dark and dirty, but with some unexpected beauty here and there. Perfect playground for Batman. In fact, I think that's the one thing that was better in this film that in Dark Knight. The mood of the city, a very "Gotham" feeling. Good stuff.

Rating: 4.0