X-Men Origins: Wolverine (2009, U.S.)

Let's face it. Hugh Jackman is a badass. I don't know if anyone else could have pulled this film off. The plot was a bit confusing at places and strained credulity at others, but it was still pretty awesome.

Aside from Hugh Jackman, the rest of the cast was pretty amazing. Dominic Monaghan and Will.i.am I thought were especially good, but Ryan Reynolds just stole the show. Considering that they all had such minor roles in a story that revolved around Jackman's character, it was especially impressive. (Side note: two of my favorite Aussie actors made brief appearances... Wish they were longer!)

The special effects were also jaw-dropping. Fight scenes were over-the-top, but pretty cool and well-choreographed.

One last thing that especially impressed me was the score. Of course, I've love Harry Gregson-Williams since the first time I heard the Kingdom of Heaven score. (Other good work of his includes Shrek and Gone Baby Gone.) Normally superhero-type movies have cheesey, over-the-top scores, but this one was perfect. It used some of the stereotypical action stuff, but it also had some truly beautiful parts too. That man sure can compose.

Overall, I think this is a good addition to the X-Men films (perhaps the best one), and I look forward to the other Origins films they're planning to make.

Rating: 3.5

Rendition (2007, U.S.)

This film was both better and worse than I anticipated. Of course the cast was wonderful. I rather wish Reese Witherspoon would do more serious movies, because she has so much potential. Meryl Streep gave me the creeps, which must mean she was successful in her role. And I can never hate Jake Gyllenhaal, although it may not have been his strongest performance ever.

I love films that depict the United States in a less than perfect light—because we're not perfect, so it's good to have a dose of realism every now and again. Especially when it has current relevancy.

I think my favorite part of this film was the fact that there were two (or you could possibly count three) parallel stories which seemed to have only the slightest overlap. They were much more tied together than one would think, and the flexible time structure added a lot to this element.

The weakest part was that as emotional as the whole concept was, there was very little emotion that came across obviously in the execution of the plot. The potential was there, but underused.

Overall, I would recommend this one. It will make you think twice about counter-terrorism.

Rating: 3.5