I Sell the Dead (2008, U.S.)

Of all the bizarre movies, I've ever seen, this one might take the cake. Even considering the other most recent (Kill Your Darlings). It's about a graverobber (adorable Dominic Monaghan) who is about to be executed for his crimes, and he's telling his story to a priest (who is played by Ron Perlman, not a very priestly guy). At first it seems like a sad story about a kid with a tough life, but then he and his mentor start digging up vampires and zombies and goodness knows what else. Meanwhile they have an ongoing competition with a rival graverobbing gang.

Basically, there wasn't much of a plot. They just go around robbing graves, which is often quite eventful, but when it's over, it's over. There's not much forward motion, just repetitiveness.

Even Dominic Monaghan wasn't enough to balance this lack of eventfulness. He was his adorable charismatic self, but not to the level you'd expect. The one thing that really stood out in this film was the score, which was eerie but whimsical—one Danny Elfman would be proud of. It reminded me of the Edward Scissorhands score, but landing more on the eerie side rather than the whimsical one. It fit the tone perfectly.

Still, I was underwhelmed.

Rating: 2.5

X-Men Origins: Wolverine (2009, U.S.)

Let's face it. Hugh Jackman is a badass. I don't know if anyone else could have pulled this film off. The plot was a bit confusing at places and strained credulity at others, but it was still pretty awesome.

Aside from Hugh Jackman, the rest of the cast was pretty amazing. Dominic Monaghan and Will.i.am I thought were especially good, but Ryan Reynolds just stole the show. Considering that they all had such minor roles in a story that revolved around Jackman's character, it was especially impressive. (Side note: two of my favorite Aussie actors made brief appearances... Wish they were longer!)

The special effects were also jaw-dropping. Fight scenes were over-the-top, but pretty cool and well-choreographed.

One last thing that especially impressed me was the score. Of course, I've love Harry Gregson-Williams since the first time I heard the Kingdom of Heaven score. (Other good work of his includes Shrek and Gone Baby Gone.) Normally superhero-type movies have cheesey, over-the-top scores, but this one was perfect. It used some of the stereotypical action stuff, but it also had some truly beautiful parts too. That man sure can compose.

Overall, I think this is a good addition to the X-Men films (perhaps the best one), and I look forward to the other Origins films they're planning to make.

Rating: 3.5