The Conspirator (2010, U.S.)

Hmmmmm, I can't decide about this one. There is no denying that the lead actors were awesome. I've been a fan of Robin Wright since she was Robin Wright Penn and James McAvoy for... well, awhile anyway. (Probably 2007. You know why.) Their acting absolutely transported me, and Wright was particularly inspired. You know how it's all going to end, but you can't help but think the strength of her character and her convictions will be enough to change the outcome. To a lesser extent, McAvoy's character's determination to follow the letter of the law does the same thing. The supporting cast was filled with talented, big name actors as well. I'd say this film was a casting triumph.

Just as impressive as the actors was the entire period feel. The sets and lighting were incredible. I felt like I could nearly smell the smoke from guttering oil lamps and hear the crinkle of crinolines. It's rather hard to explain just how realistic it was. Fabulous work.

Even though the subject of the War can seem rather tired sometimes (especially around here), I really enjoyed the choice of topic. While the assassination of Lincoln is a frequent choice of content to include, he is always pictured as the blessed martyr and the conspirators as evil criminals. (I won't get into the fact that Lincoln was, in fact, bordering on becoming a tyrant as John Wilkes Boothe proclaimed, holding onto the Union at all costs despite the People's wishes. But anyway.) I thought the movie was pretty balanced and not hateful to the South as many fictionalized versions of the assassination are. In fact, the men of the president's cabinet seemed so corrupt, their trial of Surratt so unconstitutional, that they seemed to be the villains. I have to say that it was refreshing. The blatant disregard for the constitutional rights of citizens in the 1860s was very upsetting, and I wonder how many people realize how strongly yesterday's civil rights violations echo today.

Unfortunately, I have to say that the film finished on a sour note. (Well, besides the anticipated unhappy ending.) This was a literal sour note. The music, which up until that time had been subtle, period-appropriate instrumentation, morphed into modern music almost the second the credits began to roll. It was very jarring and threw me right out of the world of the film. Very bad choice.

Rating: 4.0

The Last Station (2009, UK)

It's really hard to explain what this film is "about." Basically it follows the last days of Leo Tolstoy's life, his relationship with his wife, and his relationship with his closest friends and advisers. He's torn between revolutionary ideals and taking care of his family's needs.

Using Tolstoy's secretary (played by a very talented James McAvoy) and his relationship with a fellow revolutionary as a sort of contrast to the relationship of the aging Tolstoy and his long-time wife is very effective.

With a cast of very talented actors, a unique historical story, and a realistic period feel, this was an enjoyable film.

Rating: 3.5

Penelope (2006, UK)

This was one of the stranger movies I've seen recently. Christina Ricci is Penelope, a girl whose family is cursed. Consequently, she has a pig snout. She needs to find someone of her own class (rich, of course) who loves her in order to break the curse, but every man who sees her runs screaming from the house. That is until she meets Max, who's lost his family inheritance and goes to meet her because a crooked newspaperman wants a story. Somehow he manages to never see her, and they form a bond. Things go sour, and Penelope runs away from home.

This is a really cute movie about falling in love for what's on the inside and finding yourself despite the interference of everyone in your life. Ricci is adorable—as is McAvoy. And I always, always love Catheine O'Hara as the neurotic mother. Reese Witherspoon, who produced this movie, also makes a brief appearance as a tough girl who befriends Penelope.

Really fun, really sweet. I think it would be a good movie for tweens.

Rating: 3.5

Wanted (2008, U.S.)

So I would probably see this movie no matter what, because I have a HUGE girl-crush on Angelina Jolie. Also, Atonement got me interested in James McAvoy (only as an actor, I don't think he's gorgeous like some girls do), and I haven't seen him in anything else (with the exception of Wimbledon, in which he had a tiny role). Then there's Morgan Freeman, and you know how I feel about him. Add that all together with a really awesome preview, and I was pretty excited about it.

So here's my recommendation: if you have a weak stomach and want to see this one, bring something to vomit in. It was incredibly violent, and not the stylized, clean, Matrix-type violence I was expecting. It was more much more crude, like 300 but less fake, like No Country for Old Men but more thought out. It was disgusting.

Aside from the violence, everything else was great. The plot was interesting, engaging, and somewhat complex (in a good way); the violence was like a beautiful dance (well, plus the blood and gore); the narration was personal and yet distant (and spot on); and Angelina Jolie was, of course, beyond sexy. Morgan Freeman was in a somewhat god-like position, which is exactly where he belongs. I have definitely decided James McAvoy is a great actor. His character was vaguely reminiscent of Edward Norton's in Fight Club (see below), but it was still him. Great acting all around.

Oh, very interesting note here: while watching the credits, I was shocked to see "Music by Danny Elfman." Of course, I adore Danny Elfman. And I had really liked the score of Wanted. But never in a million years would I have put the two together. Usually I would describe his work as "whimsical," but this was harder, more driven. It almost made me think of techno. I definitely need to re-listen to the score and try to pick out the Elfman in it.

If I had to describe Wanted using other films, I would say that it was like The Matrix (styled violence, bullet time, etc.) mixed with Mr. and Mrs. Smith (Angelina Jolie, assassins, etc.) mixed with Fight Club (violence, narrative style, etc.) And yet it really was unique, one of a kind. Minus the extreme violence (which I just really can't handle), I would've given this one a 4.5. As it is, I can't quite do it. I didn't hate it, but I didn't love it -- although I could have done either. Which leads us to our default rating.

Did I mention how sexy (and badass) Angelina Jolie was?

Rating: 3.5