Brave (2012, U.S.)

This movie was an altogether pleasant surprise. The previews really only give a glimpse of what it's really about (a welcome relief after Dark Shadows). I saw this with my mom, which made it even better because it's really a great mother-daughter movie. While a lot of the story is about girl power and Merida finding her way and being herself, it's also about Merida and the Queen listening to and understanding each other. It was really lovely. I hate to give away more of the plot, because it really was surprising, but suffice is to say there are clever lines, action, unexpected twists, lots of Celtic-ness, and bears!

The music was awesome. It sounded like the type of music you'd expect in an animated family film, but it also sounded very Scottish. It set the perfect tone. I also liked many of the other sound aspects, including the voice actors and effects. You can see little blue things by Merida in the poster; in the movie, they are will-o'-the-wisps that help lead Merida to her destiny. The noise that they made was really impressive—cooing, sweet, eerie, otherworldly. If I ever thought about what a will-o'-the-wisp sounded like, that would be it. Just a slice of how good the sound was. I also liked the animation. Merida's hair was like it's own character, and I loved her horse and little brothers and the bears too. I also thought the scenery, from glens to ancient stone circles, was that balanced blend of realistic and fake that works so perfectly in animated movies.

Obviously, I was impressed. I would recommend it for all ages, and especially for mothers and daughters and Celt-lovers.

Rating: 4.0

Snow White and the Huntsman (2012, U.S.)

Ugh. This movie was almost a complete disappointment. Usually I defend Kristen Stewart to all haters, because she really is a great actress. She wasn't bad here, but she didn't stand out either. But neither did Charlize Theron, Chris Hemsworth, Bob Hoskins, Ian McShane, Ray Winstone, or any other great actors that peppered the cast. In fact, I thought Charlize Theron bordered on bad, because everything she did seemed so overacted, to the point of melodrama. Honestly, the whole thing was pretty melodramatic

Perhaps it was the writing or maybe the directing, but it just seemed ridiculous. Visually it was quite stunning, but on the other hand it seemed like they relied entirely too much on visual effects to the detriment of the plot. The nugget of plot was so good too.

It was also very distracting that every other minute something presented a visual reminder of another fantasy film, particularly The Lord of the Rings. (Down to the Tree of Gondor that graced KStew's armor... that was a bit much.) James Newton Howard is one of my favorite composers, and some of his pieces here were spot on, but he didn't quite win my favor this go round, because even his score echoed LOTR occasionally. Altogether strange, and you'd really have to see it (and be very familiar with the trilogy) to see all the subtle echoes. It was disconcerting.

I would recommend this to die-hard fans of any of the cast and people who like their fairy tales nice as dark (as they were intended), and even to LOTR fans who take pleasure in yelling, "Copycats!"

Rating: 3.0

Puss in Boots (2011, U.S.)

Soooooooooo cute. I always thought that Puss in Boots was the best character from the Shrek movies, and now that I have two little orange fuzzballs of my own, I have to say I'm even more biased. Of course, the cat jokes were all hilarious to me (and to the friend I saw it with, who is not really a cat person). I laughed out loud several times. Antonio Banderas is such a good voice actor, and the rest of the cast was pretty good too. The plot was definitely weird. It involved Humpty Dumpty, Jack and Jill, the goose that lays the golden eggs, Jack's beanstalk... it was bordering on ridiculous, but somehow it worked. The one negative thing I will say about it is that Humpty Dumpty is just creepy, in his looks, his mannerism, everything. I don't know why, but he made me think of a pedophile. So that was a bit off-putting.

I can't say enough about the main focus of this movie, however. Of course, that's Puss. He's one of those characters like Jack Sparrow who could salvage any movie. (Well okay, that's not a fair comparison, but I thought that was true of good old Jack until POTC4!) Totally worth it for Puss, Banderas, and funny cat jokes.

Rating: 4.0

Tangled (2010, U.S.)

I had heard lots of good things about this movie, and it was cute. The story is the basic Rapunzel story, except she's a whole lot more involved in her fate than in the tale I remember. Her standard Disney animal sidekick is a little chameleon named Pascal, who is absolutely adorable. Her adoptive mother is suitably evil. The prince of the story is replaced with a sort of charismatic highwayman named Flynn Rider, which added a lot to the story since he had his own set of problems to add to hers. (They meet as he flees from palace guards when he and two hulking cronies steal the kidnapped princess's crown from the castle.) The hulking cronies (who turn against Flynn quickly) are perfect specimens of grunting stupidity. Rapunzel is spunky and determined. The animation is bright and fetchingly done. (One element that I absolutely loved were the floating lanterns that the entire royal city released on the anniversary of the princess's birth, which were just breathtakingly beautiful and pure magic, even in animated form.) I liked the first person narration that framed the story with quasi-prologue/epilogues. The plot is pretty strong. The only thing I thought was weak was the songs, which were just okay, but they were no Aladdin or Little Mermaid or even Enchanted. Otherwise, good stuff.

Adventure, humor, romance, and a happy ending... It's typical Disney fare and enjoyable as these things go. A fun twist (or tangle) on a classic story.

Rating: 3.5

Shrek Forever After (2010, U.S.)

I was kind of surprised how complicated this plot was for a family movie. Shrek is having a mid-life crisis (in itself a rather strange plot for a kid flick). He is constantly surrounded by his his wife, three children, best friend, and best friend's three children. It gets monotonous, and he misses being a real ogre. So he makes a deal with Rumplestilskin to go back to being a real ogre for today. In exchange, he gives Rumplestilskin one day of his past. Rumple is a tricky bugger and he takes the day Shrek was born. This somehow results in the King and Queen signing Far Far Away over to Rumple as well.

In the alternate universe, Fiona was never saved from the tower and she is the leader of an ogre resistance against Rumple. Rumple has a witch army, and they're pretty amusing, as is Rumple. (He has a business wig and an angry wig, for starters.) But the plot was convoluted and hard to follow, and the jokes were few and far between. It was okay, but not nearly as good as the first, second, or third Shreks. The score wasn't too bad, and it reused some themes from the earlier movies, which lent some continuity.

And then we wait for true love's kiss, yadda yadda. Eh. Perhaps it didn't help that I was crammed into a theater full of kids.

Rating: 3.0

Camille (2007, U.S.)

Possibly the most bizarre movie I have ever, ever seen.

Silas is a thief who marries his parole officer's niece Camille. He's not allowed out of the state, but he uses his future wife's uncle's sympathies in the hope that he can use his honeymoon to escape to Canada. Camille has always dreamed of honeymooning at Niagara Falls, and she cheerfully deludes herself into thinking that the honeymoon will change her scummy man for the better.

What follows is the strangest road trip movie of all time. Because Silas and Camille get in a fatal motorcycle accident. That's right, fatal. Camille dies, but she keeps on with her honeymoon. And it's her death that finally pushes Silas in the right direction.

They have all sorts of adventures, running from the police, hanging out with carnies, visiting the falls... Franco and Miller give just the right touch of humor and seriousness to this macabre love story, creating a strangely enjoyable movie experience.

Enchanted (2007, U.S.)

I wasn't expecting too much from this one, but I actually ended up liking it. A mixed live action and animated film is always risky, but I think it worked in this case. Amy Adams is a fairytale princess who is sent to New York City in the real world by an evil queen. Princess Giselle begins to change her views on life and love after meeting a handsome lawyer played by Patrick Dempsey.

Patrick Dempsey was just an unfortunate casting choice. The man is not a great actor, or even that attractive. Thankfully, Amy Adams is so vivacious she takes over the screen, and everyone else pales in comparison anyway. (Also, casting Idina Menzel in a minor, non-singing sort of role is really unfortunate.) Anyway, plus Susan Sarandon as the evil witch, and this was pretty engaging for a kids' flick.

As for music, wow. This was Disney at its best, especially Princess Giselle's house cleaning song. I was almost tempted to download the soundtrack!

Rating: 3.5

Penelope (2006, UK)

This was one of the stranger movies I've seen recently. Christina Ricci is Penelope, a girl whose family is cursed. Consequently, she has a pig snout. She needs to find someone of her own class (rich, of course) who loves her in order to break the curse, but every man who sees her runs screaming from the house. That is until she meets Max, who's lost his family inheritance and goes to meet her because a crooked newspaperman wants a story. Somehow he manages to never see her, and they form a bond. Things go sour, and Penelope runs away from home.

This is a really cute movie about falling in love for what's on the inside and finding yourself despite the interference of everyone in your life. Ricci is adorable—as is McAvoy. And I always, always love Catheine O'Hara as the neurotic mother. Reese Witherspoon, who produced this movie, also makes a brief appearance as a tough girl who befriends Penelope.

Really fun, really sweet. I think it would be a good movie for tweens.

Rating: 3.5

The Tale of Despereaux (2008, U.S.)

I went to see this one with my mom, who teaches fourth grade and loves this book. It's hard to look at a kids' movie objectively, because what engages the young mind and what engages the adult mind are two entirely different things. However, I can say that as kids' movies go, this one was probably up there.

The voice talent was definitely great. Ciarán Hinds, Robbie Coltrane, and Emma Watson were all great choices. I would say that Dustin Hoffman was born to be a voice actor. Matthew Broderick (Despereaux, ironically) I could have lived without. I've never been a huge fan of his. Also, it is very strange to have an adult man's voice coming out of a mouse who is supposed to be a kid.

Perhaps I look down on children too much, but it seemed like the plot was fairly complex for the genre, thought I appreciated this aspect. I loved how the lives of three main characters were tied together, how there was a bit of mystery and suspense, how the princess was just a supporting role. One interesting thing was that Despereaux was almost nauseatingly moralistic; I wish the lessons could have been more subtle. Still, they were good lessons—even the smallest person can have the stoutest heart, doing the right thing, the importance of family, being oneself.

Since I clearly don't have a very structured opinion of this movie, I'll just toss in a few more random, un-review-like comments. First, it is incredible to me how many chidlren's stories revolve around soup. Second, what is with this need to animate inanimate objects? When you already have talking mice and rats, do you really need to have a random collection of vegetables and other culinary debris turn into a genie sidekick? But then, what do I know? Maybe kids love that stuff.

Rating: 3.0