Showing posts with label nicholas hooper. Show all posts
Showing posts with label nicholas hooper. Show all posts

Sunday, May 20, 2012

Birdsong (2012, UK)

Oh, Eddie Redmayne. You could be watching paint dry and I would be utterly captivated. You merit at least a full additional star for yourself in every movie. You are beautiful and brilliant with your too-wide mouth and your piercing eyes and your childlike freckles and your one-of-a-kind voice.

Excuse me. Now that I got that out of the way... This was a beautiful piece. I'm really curious to read the Sebastian Faulks novel that it came from. (I watched Charlotte Gray a long time ago, before the blog, and I remember really enjoying it too. It's also from his loosely connected France Trilogy.) The juxtaposition of Stephen's life before and after the war is amazing. They did a great job of contrasting bright and lovely greens in the idyllic 1910 countryside with the dusty, depressing browns of that same country covered with trenches. Stephen learns really important life lessons that he needs both personal tragedy and global tragedy to understand. It's hard to explain this, but it's the core of Birdsong.

I liked basically everything about this. Obviously, I think Eddie Redmayne is a genius. He has such an emotive face and a strong range. I think this was the first I've seen of Clémence Poésy (outside of Fleur in Harry Potter), but she was utterly perfect for the role too, as was Joseph Mawle, who plays a miner in the trenches who helps Stephen on his path to enlightenment. The rest of the cast was good too, but those two stood out.

I already mentioned the perfection of the mis en scène. I also found the music to be very powerful. It was very piano-heavy, and many of the songs were simple, relying on repeating series of 3 or 4 notes. It fit the tone perfectly. (Incidentally, this is, as far as I know, only the third score I've heard by Nicholas Hooper. His HP6 score was a big tone-perfect standout for me too.)

Oh, I'm just not doing it justice. I spent nearly 3 hours with the mini-series, plus extra time for the special features, and I loved every second. It was beautiful, heartbreaking, well-acted, realistic, enlightening, and powerful. Highly recommended.

Rating: 4.5

Tuesday, July 21, 2009

Harry Potter and the Half-Blood Prince (2009, U.S.)

So, the big movie of the summer (which was supposed to be the big movie of the fall). I went into this with absolutely zero expectations. In my opinion, the quality of the films peaked at 3 (which I love) and rapidly deteriorated toward 5 (which I practically hated). I assumed 6 would be just as terrible as 5, since it has the same director and has to cope with all the plot holes from the previous terrible scripts. (Sidenote: I've always loved the casting, the cinematography, the costuming, etc. The scripts have been what are so terrible!)

Well. It was definitely missing a lot. Some of the things were understandably condensed, but other very important things were left out. This whole book is about Voldemort's memories, very important things that build to the events of the 7th book, and yet they only show two. And one of them is dreadfully unsatisfactory. Secondly, it's called The Half-Blood Prince, for crying out loud. So why does Harry use the HBP's book to make one potion, only use one spell out of it, and then forget about it? Where is the Other Minister? Where is all the continuing panic and confusion of a dementor-infested England? Where is the challenge of getting into the cave? Where is Harry confronting the implications of his destiny and having to leave the people he loves? Where is Dumbledore's Army banding together to protect the school? Obviously, the thing I love the most (namely character development) was sacrificed for something that has never seemed important to me, especially in this series (namely action). But then, what do we expect?

I know that I shouldn't compare the movie to the book, but I can't help it. So here's what I think about it by itself. I think they did a wonderful job of showing that there is a world outside of Hogwarts. Harry hanging ont in Underground stations and flirting with waitresses, for example. Or the amazing fly-through shots they did of London, including Death Eater destruction of the Millenium Bridge. Seriously, that shot was one of the best things ever. They also captured what it's like to be a teenager. All the angst and crushes and giggles and tears.

Also, it was hilarious. It's hard to know how to feel about this, since this was one of the most serious books up to this point. (I have to say, they did do a great job with the darkness in the 5th film.) There were so many silly joke-type things. A lot of it may not have been actually funny (especially to teenagers), but so much of it was, "Ha ha, those teens are too wrapped up with themselves!" Also, Rupert Grint's face. That boy sure can act. He really has been the comedic relief for every movie, but he's reached a new high this time. Then there was Daniel Radcliffe, whose normal up-tight, pained, destiny-inflicted persona got a moment to cut loose after taking Felix Felicis. To act out his luckiness, he acted like he was on drugs. Priceless. And Emma Watson, whose acting has always impressed me more than the two boys', has gotten even more talented. She's subtle, and I think one day she'll be a brilliant actress. (You heard it here first. And if I'm wrong, I'm wrong.) As much as I enjoyed all the laughs, looking back it seems like it took away the strength of the terrible moments, like when one character has to force poison down another's throat, or when an enemy is attacked and his chest ripped open, or when crazy Bellatrix is terrorizing England, or when a major character is killed. Completely lacking in transition.

I already mentioned the kids' acting. About the adults, I will say that they were as great as always. Alan Rickman is unparalleled as Snape. Really, he's incredible. As for new faces, I love Jim Broadbent, and even though he's not how I pictured Slughorn, I was looking forward to his performance. It was a bit disappointing, however. I wonder if he ever read the book, because he really didn't capture the most important (or really only) part of Slughorn's (rather flat) character. Also, the woman who played Narcissa was a) not the beautiful ice queen you would imagine and b) not very convincing in her only scene, in which she's trying to save her son. (And in case you're wondering, I looked it up. She has two children. So she should be able to pull this off.) Speaking of Malfoys, I want to quickly note that Tom Felton (Draco) has always been great at playing the weasel-y, bad apple type. But his portrayal of a bad (but not necessarily evil) kid forced to do terrible things to save himself and his family was incredible. He really captured the tortured, hopeless feeling. He should give his screen mother some tips.

Let's talk scenery. I mentioned before the incredible shots of London at the beginning of the movie. Everything else was as a beautiful as always. The only other thing I want to mention is the portryal of an abandoned Diagon Alley. They did a great job of making it look abandoned (although because of poor scripting, you're not sure why it's abandoned). And then there was Weasleys' Wizard Wheezes. The shop was amazing. They had to cut out a lot of what goes on in the shop, but they used it just enough to remind you of Fred and George and their continuing defiance of acceptable behavior. It was garish and loud and very them. (The twins are really my favorites, and I wish they could have featured more. Maybe next time!)

I will cut short this ramble with a mention (as I always must) of the score. So the first 3 were composed by John Williams, someone else did the 4th, and Nicholas Hooper has done the 5th and 6th. I don't remember paying much attention to the score in any since John Williams stopped composing. But I really loved this one. It was dark and ominous and sad, and what little of the appropriate tone that was conveyed in the film came from the score. Good stuff.

It wasn't the book. But ignoring print to screen comparisons (and in comparison to the 5th movie), it was pretty good. I was surprised. (Though I can't wait to see how they manage to fill all the holes they've created in the adaptations of book 7).

Rating: (and I can't believe I'm saying this) 4.0