World without End (2012, UK)

It wasn't Pillars of the Earth, but it was still quite good. Almost everything paled in comparison to Pillars, from casting to script adaptation. I thought the adaptation largely missed key points from the novel, which was unfortunate. I hate to be so critical, because it was really good, but it could have been phenomenal instead of just great. Still, I would watch it again. And again and again. And that's about all I have to say on that!

Rating: 4.0

Birdsong (2012, UK)

Oh, Eddie Redmayne. You could be watching paint dry and I would be utterly captivated. You merit at least a full additional star for yourself in every movie. You are beautiful and brilliant with your too-wide mouth and your piercing eyes and your childlike freckles and your one-of-a-kind voice.

Excuse me. Now that I got that out of the way... This was a beautiful piece. I'm really curious to read the Sebastian Faulks novel that it came from. (I watched Charlotte Gray a long time ago, before the blog, and I remember really enjoying it too. It's also from his loosely connected France Trilogy.) The juxtaposition of Stephen's life before and after the war is amazing. They did a great job of contrasting bright and lovely greens in the idyllic 1910 countryside with the dusty, depressing browns of that same country covered with trenches. Stephen learns really important life lessons that he needs both personal tragedy and global tragedy to understand. It's hard to explain this, but it's the core of Birdsong.

I liked basically everything about this. Obviously, I think Eddie Redmayne is a genius. He has such an emotive face and a strong range. I think this was the first I've seen of Clémence Poésy (outside of Fleur in Harry Potter), but she was utterly perfect for the role too, as was Joseph Mawle, who plays a miner in the trenches who helps Stephen on his path to enlightenment. The rest of the cast was good too, but those two stood out.

I already mentioned the perfection of the mis en scène. I also found the music to be very powerful. It was very piano-heavy, and many of the songs were simple, relying on repeating series of 3 or 4 notes. It fit the tone perfectly. (Incidentally, this is, as far as I know, only the third score I've heard by Nicholas Hooper. His HP6 score was a big tone-perfect standout for me too.)

Oh, I'm just not doing it justice. I spent nearly 3 hours with the mini-series, plus extra time for the special features, and I loved every second. It was beautiful, heartbreaking, well-acted, realistic, enlightening, and powerful. Highly recommended.

Rating: 4.5

Fallen (2006, U.S.)

I decided to watch this made-for-TV movie because I wanted to see Paul Wesley in another role besides that of Stefan in Vampire Diaries, a role he was clearly born to play. He wasn't bad here, but this movie was obviously a terrible vehicle for any young actor.

Basically this is a cheesy, low budget flick about an adopted boy who discovers that he is the son of a fallen angel, and his destiny is to save the world, in so many words. The special effects are obviously low budget. The writing is terribly lame. The plot could have used a lot of fleshing out.

The one saving grace was that some of the acting is really stellar. Paul Wesley was good, though he's much better as a vampire than an angel. The real show-stealers were Tom Skerritt as Ezekiel and Hal Ozsan as Azazel, both fallen angels who walk the line between good and bad. Skerritt was a sort of witty, wise, slightly crazy old man. Ozsan was a witty, sexy, irreverent bad boy. Between these three actors, they kept this one from being a total tragedy. But it was awfully close.

Rating: 2.0

The Pillars of the Earth (2010, U.S.)

I can't even begin to describe how wonderful this mini-series was. I worried about it doing justice to the novel, one of the greatest books I've read in my life. Thankfully, I had the benefit of watching this several years after reading the book, so it wasn't as fresh in my mind as it could have been, leaving me able to judge the series for itself. It was definitely watered down, but not in a bad way. For instance, the novel largely lost my interest at the end when it spiraled into an obsessive religious recounting of the murder of Thomas a Becket, whereas the mini-series focused on the beauty and glory of the completed cathedral, a much more important aspect of the work, if you ask me.

It was a truly magnificent undertaking. The historic backdrop (I loved that Maud, a personal favorite historical figure of mine, was not made out to be a villain), the setting, the varied individuals who the viewer becomes invested in or quickly comes to hate, the perfect and often moving music (one perfect step shy of majestic, sometimes moving, often reflective of the monastic setting). Love scenes, tragic deaths, wife beatings, and the like were handled well, painting a vivid portrait but still tasteful and not too graphic. (Some of the battles I thought were a little much, with sprays of too-bright blood, but not enough to take away from the overall effect.) In addition to the beautiful scenery, the costuming (and makeup in particular) were incredible. They did a wonderful job of subtly aging characters. And even though the plot was significantly condensed to fit into 8 hours, the writing was often beautiful and the plot clear. Wonderful.

However, the truly overwhelming part of the series was the actors. Ian McShane and Donald Sutherland were as great as I have come to expect. Several actors, particularly Natalia Wörner (Ellen), Hayley Atwell (Aliena), and Matthew Macfayden (Prior Phillip), who were previously unknown to me, were pleasantly surprising and perfect for their roles. Rufus Sewell, who I've seen in many films and always respected, never would have crossed my mind as the man to play Tom Builder, but seeing him I can't imagine anyone else playing the role anymore. He was spectacular. This entire ensemble had such chemistry, melding together to truly bring the world of Kingsbridge to life. You feel the frustration, fear, love, anger, hope, faith, and all the other powerful emotions driving the lives of these men and women as they struggle for happiness in an unfair world. Almost magical, really.

But the real star of the show was Eddie Redmayne (Jack Jackson). I think I'm in love. (In other words, I am greatly anticipating following his career.) I had seen him before in minor roles in Elizabeth: The Golden Age and The Other Boleyn Girl (they sure do love him for British historical!) and something about his face struck me enough to remember him from one to the other to this one. He truly has the most incredible face, beyond perfect to portray Jack. He has very strong jaw and cheek bones (okay, a weakness for me!) that give him just enough sexiness to explain the girls' attraction to him, but he also has the freckles and red hair and puppy dog eyes that give him the air of an innocent, sweet little boy who is originally a near-mute for shyness. Really, what a face. Anyway, as I said I've only seen him in minor roles before, so this is the first time I've been able to see some real acting, and saying I was impressed would be a huge understatement. He was Jack Builder. I can't explain it better than that. From the near-mute young man to the growing artist to the man in love to the fulfilled and successful builder, he played every aspect of Jack's maturing character with such artistry. I was really in awe. (I probably don't need to tell you that there will probably be many Eddie Redmayne films reviewed here in the next few weeks.)

I can only say that this series was sensational. I struggled to stretch it out, and I managed to split it into three days. It was difficult, because I was so engrossed I wanted to completely submerge myself in it, but I loved it so much I wanted to make it last. So three days wasn't too bad!

I can't do it justice. If you love historical drama, well told stories, exceptional acting, beautiful settings (I didn't even mention how extraordinary the cathedral was!), you must watch this. Powerful, wonderful stuff. I just loved it.

Rating: 5.0

Generation Kill (2008, U.S.)

Here she goes again! I've been on an Alexander Skarsgård kick lately, and despite my apathy about Operation Iraqi Freedom, the Iraq War, the War on Terror, etc., I watched it. It took me a bit of time to get into the first episode, but once I did, I thought it was wonderful.

Firstly, it was incredibly realistic. It is based on a book written by Rolling Stone reporter Evan Wright, who was with the 1st Recon Marines in the first humvee at the tip of the spear during Operation Iraqi Freedom. Every detail was carefully researched. The slang the men used, their superstitions, their training, their relationships, their day to day lives, the moral issues some of them dealt with... so realistic.

Although Generation Kill is about a war and a moment in history, it is more about the men who experience it. This was definitely an ensemble drama, and the acting was phenomenal. Of course, I thought Alexander Skarsgård was the most brilliant of them all. (Note: I was so fascinated by this series that I watched all of the special features, and he was just like the actual Marine he played, as were many of the other men. In fact, on of the 1st Recon Marines played himself!)

You know I love a good score, but in this series they clearly made a conscious choice to avoid scoring the series so as not to take away from the realism. Instead, picture a convoy of hardened Marines driving through the desert in humvees, singing together, a cappella. Songs like "Teenage Dirtbag," "Sk8er Boi," "Come Sail Away," "King of the Road," "Mamas Don't Let Your Babies Grow Up to Be Cowboys," "Fuck the Police," "Hot in Here," "Tainted Love," etc. The cast members did all the singing themselves, which further added to the realism.

I'm not going to say anything else about this series, because I don't feel like I can do it justice. The acting, the scenery, the incredible writing, the music, the shocking, gritty realism... And on top of all that, I learned a lot. This is an insanely good series. I found myself wishing there were many more than 7 episodes. I wanted to know what happened to these Marines after Baghdad, what happened to them in the time in between the scenes transferred to film, what happened to them after they went home. More than that, what happened to the Iraqi people they met in the line of duty?

Wonderful. I highly, highly recommend this series.

Rating: 4.0