Sunday, April 5, 2009

Duplicity (2009, U.S.)

This film was all anyone could ask for. It's funny. It's smart. There's romance. There's espionage. There's Clive Owen and Julia Roberts. This totally redeems Owen for the travesty also known as The International.

First of all, the plot is completely over the top. Two companies trying to beat each other out in the market for hair care products or lotion or some such silliness. They are so extreme about corporate secrecy that they have whole security teams protecting the chemical formulas and laying false trails for the competitor. Enter Ray and Claire, who may or may not have known each other before and who may or may not be on friendly terms. Each is the head of security for one of the companies, and they may or may not be working together to fleece both of their employers.

It is truly remarkable the way the filmmakers integrated this complex plot with a touch of romance and a lot of humor. The writing was superb, and I was very impressed. Of course Owen and Roberts were great, although it was very strange to see them together for the first time since Closer without attributing some of their earlier characters' characteristics to the current set. But eventually that wore away, and their chemistry and acting skill was very apparent.

One other thing I have to say about this film is this—what a score. Of course, I'm biased because I love James Newton Howard, but I actually didn't realize it was his until the credits. Two of my favorite scores are his—Peter Pan and Defiance. Peter Pan is whimsical but beautiful, very fairy-ish. Defiance (which is my opinion was robbed, robbed, robbed of the Oscar by an infinitely inferior score) is heartbreakingly beautiful, tragically lovely, whichever set of seemingly contradictory terms you want to use. Anyway, I could gush about him all day. The point is, this score was very different, but just as perfectly appropriate to its film as the other two I mentioned. It was lighthearted and upbeat. (This part reminded me a bit of the Catch Me If You Can score). It had a hint of sneakiness that fit with the espionage, but also a hint of something else more appropriate to the romantic aspect. It was masterfully done.

I don't think I can offer any higher recommendation for a film like this than these two words: Fun. Smart.

Rating: 4.5

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