Moonrise Kingdom (2012, U.S.)

This movie is a charming coming-of-age tale, but beyond that it's hard to describe. These two pre-teens meet each other and become pen pals. The girl is from a dysfunctional, seemingly wealthy family on a New England island, and the boy is an orphaned ward of the state attending camp on the island. They decide to run away together.

There are many laugh-out-loud moments and touching moments alike. The ensemble cast was very well put together, and the new young actors who played the runaway children were especially brilliant.

As I said, it's very hard to describe this whimsical, strange movie, but it is definitely worth seeing.

Rating: 3.5

Sherlock Holmes: A Game of Shadows (2011, U.S.)

I have heard a lot of people say that they liked this one better than the first one, and I have a hard time deciding whether I agree or not. I remember liking the first one a lot when I first saw it, but when I rewatched it about a week ago, I only liked it about as much as anything else. So, hard to say. Still, this movie was great.

I think I said it before, but I'll say it again. Jude Law and Robert Downey Jr. have such chemistry on screen, to the point where they really don't need any leading ladies. Not in a romantic sort of way or anything, but their witty banter and physical comedy seem interrupted by a lady's presence. They're just too funny. Still, the other actors were good too. I was so excited to see Noomi Rapace out of her goth Salander gear and with a few more healthy pounds on. She made a very good gypsy. The guy who played Moriarty was also eerily good, with that nerdy, seemingly good-natured facade masking pure evil. Oh, and Stephen Fry as "Shirley's" brother = priceless!

The plot was very twisty and convoluted and involved a big conspiracy, and it was fun to watch the whole thing unwind slowly and with such Holmesian flair. I don't want to give anything away, but it was definitely big. And the ending... wow-wee! So shocking, so funny, so entertaining.

And to save my favorite guy for last: Hans Zimmer is just a musical genius, and I loved his soundtrack for this movie. It's no POTC, but it's definitely heading in that direction. His compositions were all very original sounding, but with a hint of inspiration from the plot or setting. It's hard to explain what I mean, but there were some pieces that seemed very Victorian and some that seemed very industrial, etc. The best ones, however, were the ones that were gypsy inspired, with the fiddle and all. Just perfectly done.

I would definitely watch this one again.

Rating: 4.5

Larry Crowne (2011, U.S.)

This was a very refreshing "romantic comedy," as far as that label goes. It wasn't focused on romance that much, and it was a very quiet sort of funny. It was also remarkably timely for the genre.

Loveable Larry Crowne works at a Wal-Mart-esque store that's downsizing. Despite his repeated Employee of the Month status, he's the only one without any college education, so he's the one that's let go. No longer able to afford his home, he defaults on his mortgage (to the bankers amusing chagrin). No longer able to afford his SUV, he sells it and buys a Vespa. Determined to make something better of himself, he enrolls in community college. Yes, it's his professor who he ultimately forms a romantic attachment to, but that's not what this movie is all about.

Larry takes hold of his life and lives it to the fullest despite his setbacks. He joins a "Vespa gang," a bunch of much younger people with zest and a taste for life. He works hard in school. He takes a job at his friend's diner (despite never wanting to work in food service again) because it pays the bills. Even when he falls for his teacher (who is married), he's a gentleman and he helps her as a friend with no ulterior motives. He is a wonderful, loveable, admirable person, and his character alone made this movie a joy to watch. Tom Hanks was great (a welcome transition after those horrible Dan Brown adaptations).

Despite the surreal quality of his life (Vespa gang, lottery-winning neighbor with a perpetual yard sale, crazy econ professor, way-too-fun speech class, falling for a prof), it had an amazingly real feel anyway. It makes you feel like good things can happen to good people, even after bad things bring them down. It's sweet and hopeful and endearing and even funny. A really wonderful flick. I was shocked at all the bad reviews it got.

I'm calling this the "subtly sweet and sneakily feel good movie of the year." Watch it.

Rating: 4.0

La Cage aux Folles (1978, France)

Basically everything I said about the American remake applies here. Except this is the kind of comedy that just works 100x better as a French film than an American film. (See Dinner for Schmucks and Le diner de cons/The Dinner Game. And in a strange twist, La Cage aux folles and Le diner de cons had the same writer.)

Very funny. Very French. And that's about all I've got.

Rating: 3.5

I Love You, Phillip Morris (2009, U.S.)

I don't even know where to begin with this movie. The fact that it was based on a true story just blows my mind. Man with super-Christian wife announces he's gay, moves to Florida to live the lifestyle, supports himself by committing fraud, his boyfriend dies of AIDS, he goes to prison for his crimes, he falls in love with another inmate, he becomes a lawyer to get his lover out of prison... and it only gets more unreal from there. It's bizarre.

I did find myself laughing out loud quite a bit, but I don't know if it was due to the absurdity of the entire plot or whether it was actually funny. I've never been a huge Jim Carrey fan (my favorites of his are the more "serious comedies," The Truman Show and Eternal Sunshine), to the point where I feel like he almost detracts from a movie. Still, his completely over-the-top style worked for this over-the-top story. And Ewan McGregor. I just love him, and I've always thought he was a good actor. This role just proved how versatile he is. He was stellar as this sweet, soft-spoken, golden-haired, gay, minor criminal. I too wanted to shout, "I love you, Phillip Morris!"

This whole flick was far from what I expected, but it was entertaining, funny, strangely engaging, and definitely interesting. And did I mention Ewan McGregor?

Rating: 3.5

Little Fockers (2010, U.S.)

I remember loving the first two movies in this series even though I'm not usually a big comedy fan. (Usually I find jokes too crude or racist or otherwise tasteless.) So I was looking forward to the third movie, because I figured they would keep coming up with fresh, funny material. I mean, we start with meeting the girlfriend's parents, we move onto the very different in-laws meeting each other, and then we go to the whole life with kids deal. There should be lots of humor about having kids! But despite the title of the film, that's not what the movie was about at all. The parts with the kids were the best, the funniest, the most touching... but they were few and far between. Mostly it was about Jack passing on the mantle of head of the family to Greg and about Greg earning extra money by promoting sex drugs for a sexy pharmaceutical rep (which of course leads to suspicions of infidelity).

I liked the actors, for the most part, but I felt like all the non-Jack grandparents (Danner, Streisand, and Hoffman) deserved much more screen time, because they were spot on and still funny. The same is true of the twin five-year-olds, who were clever, amusing kids. To quote another spot-on reviewer on IMDB, "Owen Wilson was on auto-pilot and Jessica Alba was in the film just because of her looks.Surely Alba should get a better agent because all she does is strip off in her films." Precisely. Wilson was the same old same old and Alba was just there to look sexy. Any attractive woman could have played the role, which is unfortunate because Alba really is a decent actress. Then there's the star. Stiller had a few good moments, but otherwise seemed pretty bland. Then again, that could have been the spectacularly boring script.

Because, oh yeah, the most important thing about this movie? It just wasn't that funny. It just felt repetitive and not fresh at all. It didn't do anything for these great characters who had been so well-written in the past. It was just unfortunate all around. I can't even think about it any more. I almost want to give it a 2.0 (didn't like it), but because of a few shining moments (like Jack's wife trying to get him to do a sex role play thing at Roz's professional suggestion), I'm bumping it up one.

Rating: 2.5

Love and Other Drugs (2010, U.S.)

I was really surprised by how much I liked this movie. Of course I was excited to see it because I love Jake Gyllenhaal, though I've never been especially fond of Anne Hathaway. (What made me decide I didn't like her? It seems like everything I've ever seen her in, I've been impressed. Maybe her voice bothers me? I can't figure it out! I guess from now on, I'll say I like her a lot.) Anyway, this movie was great. A lot of movies from the 1990s feel very dated, but this movie made last year about the 1990s felt not quite nostalgic, not quite historical, but something like that. Instead of feeling "so 1990s," it felt like it was recreating a sort of idealized '90s. It's hard to explain, but in any case, it worked well.

The setup was also very effective. It opens showing Jamie (Jake Gyllenhaal) selling electronics (very '90s electronics!) to men, women, old ladies with equal success. The brief scene really defines Jamie as a born salesman and charmer. And the ensuing tryst with the manager's girlfriend in the storeroom defines him as a born womanizer... and charmer. It's quite a surprise when we next find him at his wealthy parents home, with a father and sister who are doctors and a brother who is a software millionaire. His background seems so unlikely with his current life.

Anyway, he eventually gets into selling pharmaceuticals for Pfizer, mainly trying to get doctors to prescribe Zoloft instead of Prozac. The insight into the drug industry is absolutely fascinating. I don't really know that much about it, but it felt realistic to me, at least. And there is a lot of industry humor thrown in that was truly amusing, and once he starts selling Viagra, it only gets better. Normally I'm not into crude humor, and one would think that selling a sex drug and jokes about its use and situational comedy (think long-lasting erections) would not amuse me at all, but it was actually done fairly tastefully and made me laugh out loud. Surprising.

In the middle of all this drug-selling, Jamie meets Maggie, a woman of 26 with early-onset Parkinson's Disease. Her character was so complex it was nearly staggering. There's her disease and her worries about it and her refusal to be defined by it. There's her art. There's her undefined job, which involves taking senior citizens to Canada where they can afford their prescriptions. (Yet more commentary on the drug industry.) There's her desire for frequent no-strings sex and refusal to be in a relationship, even when it's obvious to the viewer that she's falling in love. Anne Hathaway was absolutely stellar in her performance, down to her shaking hands and lethargy (caused by her illness) and up to her flawlessly-performed emotional breakdowns. Paired with Jake Gyllenhaal's charming, selling, womanizing Jamie, it just really worked. Great stuff. (I also have to insert a side note on a subject I don't usually take the time to comment on: sex scenes. Some were strangely detached feeling, which I suppose is good since it was a no-strings relationship in the beginning. But one was especially beautiful once they were more together... It's raining outside and it's shot through the window, so all the viewer sees is the watery, unfocused forms of very gentle lovers on a lovely deep red bedspread. It was quite beautiful.)

Basically, it had all the hallmarks of the best of the best romantic comedies, but I almost don't want to call it that. Mostly the comedy came from his job and the romance was much more dramatic (and far from funny), and these two elements were combined flawlessly. Added to the very unique characters and plot, the quasi-nostalgic (or whatever you want to call it) feel, the interesting details of the pharmaceutical industry and Parkinson's disease, and some wonderful performances, this was one of the best "romantic comedies" I've ever seen.

Rating: 4.0

The Birdcage (1996, U.S.)

A gay Miami club owner and his star performer/domestic partner must put on a straight front when their son brings his fiancee's right-wing senator father and his wife to meet them. Does that sound like a winning comedy of errors, or what?

The children were underwhelming. I can live without Calista Flockhart. Dan Futterman was okay. The parents really stole the show. Gene Hackman was an amusing mockery. Robin Williams and Nathan Lane were at times hilarious and at times touching as a couple.

It takes a delicate balance to be so laugh-out-loud funny and brings-tears-to-your-eyes heartwarming and not to over-the-top with the social commentary, and this movie was a perfect balance. Great fun!

Rating: 3.5

The Life Aquatic with Steve Zissou (2004, U.S.)

I'm not sure why I wanted to watch this film or what I expected from it. I figured it was a modern classic, since it had been released by Criterion. Also, I'd see anything with Cate Blanchett, because she's brilliant.

Mostly, I just found it to be odd. The plot was based on an entirely bizarre premise, and many of the developments didn't make much sense. The characters seemed mostly flat and their relationships forced. Ultimately, this famous comedy didn't strike me as funny at all.

I really just don't have much to say, because I'm still asking myself what just happened.

Rating: 2.5

Scott Pilgrim vs. the World (2010, U.S.)

I can't believe how much I loved this movie. It was completely unique, fresh, nerdy, and fun. From the opening credits (which have little cues to the rest of the movie, if you pay attention), it was just so fun. I can't think of a better word to describe it.

A lot of movies based on graphic novels either don't have the graphic novel feel or else they try too hard. This one was perfect. It made good use of a panel-like technique, but not too often. It was just enough to maintain the feel and emphasize certain shots without being overkill. The same went for "sound effects" written in during fights, for ringing phones, etc., as well as other video game-esque additions, such as lives up, power bars, and the like. One of my particular favorites was an angry girl who cursed a lot and always had a censor bar and beep appear over her mouth to cover F-bombs. Scott asks her how she does it; the character's awareness and acceptance of such abnormal elements in their lives added that much more to the movie.

Basically, the story is quite simple. Scott Pilgrim is a 22-year-old in Toronto who was dumped a year ago by a girl who became famous with her band (while his continues to struggle). He dates a 17-year-old Chinese Catholic schoolgirl. Then he falls for an American Amazon.ca carrier named Ramona, and he has to battle her seven evil exes to be able to date her. The story worked really well. For one thing, the characters were remarkably realistic considering the fantastical situation they're in. (Also, great supporting cast—Anna Kendrick, Chris Evans, Jason Schwartzman, and especially Kieran Culkin.) Secondly, the fight scenes with all the exes were excellent and, yes, fun. They were intensely choreographed so that they didn't seem violent at all, but rather the bloodless fighting you see in video games. Lots of flashing lights, special effects, and then the bad guy dissolves into a pile of coins.

The music was also something special, channeling video game music from the very beginning, with the beeping Universal theme. It also had a strong overlapping presence in the characters' world, like when Scott beats his head against a pole, echoing the rhythm of the music.

This movie is great fun for the generation of early 20-somethings who live in an irresponsible world filled with music, video games, and romantic angst, but also for those of us on the fringes (for instance, those of us who have close friends or family in this world). Really, this movie is great fun for anyone, and I am shocked and pleased to recommend it highly.

Rating: 4.5

Morning Glory (2010, U.S.)

I had absolutely no idea what this movie was going to be about, but I saw it just because I adore Rachel McAdams. It was really a unique film. A young television producer gets a new position and must revive a struggling morning show program that consistently falls behind Good Morning America and its ilk. She fires the sleazy male cohost and lands a star news reporter (through a loop in his contract) who hates morning shows and constantly fights with the producer, his cohost, and everyone else.

Basically, this was a great ensemble drama with a slight twist of witty comedy. Harrison Ford, Diane Keaton, Rachel McAdams, Patrick Wilson, and Jeff Goldblum wove their parts together in seamless harmony. It was very cleverly written and a lot of fun. On the other hand, the drama side really makes you root for the show and hope it gets better ratings, even if you (like me) aren't the kind of person that cares about morning shows at all.

I liked this one quite a bit, but I especially bumped it up from 3.5 to 4.0 just for Rachel McAdams. She's just so cute, savvy, sexy, and spunky. I love her. Did I mention that?

Rating: 4.0

Despicable Me (2010, U.S.)

Despicable Me was a very strange movie. A super villain named Gru loses his place as the world's worst villain, replaced by a nerdy kid who goes by Vector, smart smart but not world-smart. To break into his arch-enemy's lair, he adopts three girls from an orphanage that sells cookies so that they can infiltrate Vector's fortress.

I wish they had focused more on Gru doing despicable things at the beginning. I loved watching him waltz into Starbucks and using a freeze gun to cut in front of everyone in line. I guess this was the kind of movie that's made for plot rather than character development, but with such a good lead character, it's a shame they didn't spend more time on him. (Side note: why are villains always eastern European? What stereotyping!) I also loved his minions, who were adorable and hilarious.

I don't often notice sets unless they're really out of the ordinary, but the "sets" in this were awesome, especially in the two villains' lairs. The furniture, technology, built-in shark tanks, weapon systems, and more were really cool. This definitely couldn't have been pulled this off in a live-action film. Gru's big dark house in an otherwise cookie cutter neighborhood also gave me a laugh.

The use of Pharrell Williams as a composer was an interesting addition to the movie. It varied in feel from serious spy to goofy and then a combination of the two, plus some weirdly unexpected R&B. The title song, "Despicable Me," was awesome. So awesome that I want to download it and make it my personal theme song.

Rating: 3.5

Post Grad (2009, U.S.)

This was a cute little movie. Alexis Bledel is a girl who has just graduated with an English degree and wants to get her dream job at her dream publishing house. She doesn't, and she has to deal with unemployment. Meanwhile, her best friend is in love with her and she starts fooling around with her much older Brazilian neighbor. So she loses her friend, another important thing in her life.

I thought it was both laugh-out-loud funny and touching. Michael Keaton as her father and Carol Burnett as her grandmother were especially hilarious. Without the comedy and the romance, her post grad life felt like a mix of my post-college and post-grad school experiences, which is probably part of why I liked it so much. I think any college graduate can relate.

Not many comedies can impress upon the viewer the important things in life—family, love, hard work, being happy with who you are and what you do. All that and a few laughs too. Good stuff.

Rating: 4.0

Toy Story 3 (2010, U.S.)

This was the first ever movie I've seen in 3-D. I don't know if I really liked that aspect of it. Mostly it just gave me a headache.

The movie, on the other hand, was great. I didn't think they'd be able to pull another story out of these characters, but they did. Andy's heading off to college and getting rid of his toys; the gang is donated to daycare, and it's a living hell.

Two big highlights were Buzz being set to Spanish-language Buzz, Barbie meeting (a very clothes-obsessed and shallow) Ken, and the aliens from the claw machine following around the Potato Heads ("You have saved our lives, we are eternally grateful!").

I was kind of back and forth about the ending. On one hand it was sweet and on the other hand it was way too sad and disappointing. Overall, it was the mix of funny and touching you'd expect from a Toy Story movie.

Rating: 4.0

Zoolander (2001, U.S.)

Ten points for guessing why I decided to watch this one, which is way outside of my normal taste. Yes, a certain Swede, who is in the movie for all of two minutes. But what a good two minutes it was... "orange mocha frappuccino!"

I was shocked at how good this movie actually was. Yes, it was ridiculously silly, but it wasn't the dirty humor you'd expect. Instead it was quite witty and satirical about the fashion industry. Ben Stiller and Owen Wilson make a great comedic duo, and the entire ensemble as a whole worked very well together.

There are many, many laugh-out-loud moments, both for a more intelligent viewer and the average dumb comedy viewer. I would watch it again, and that's pretty high praise for me when it comes to comedy!

Rating: 3.5

The Court Jester (1955, U.S.)

I saw this film for the first time when I was 10 years old, and I loved it from that moment until this day.

Danny Kaye was a funny, talented man, and this one showcases his talent like nothing I've ever seen.

The basic plot is that the rightful kind of England, an infant with a purple pimpernel birthmark, has had his throne taken by an evil man. A group in the forest, led by a Robin Hood-type character, is trying to restore the throne to the baby. Somehow, a sweet and somewhat simple man named Hawkins (Kaye) ends up posing as the king's new court jester, to infiltrate the court. The princess falls for Hawkins, the king falls for Hawkins' partner in crime, the princess's maid is a witch who starts casting spells and poisoning cups. This is where one of the best comic scenes in history happens. "The pellet with the poison's in the vessel with the pestle. The chalice from the palace is the brew that is true!" But then one cup breaks, and we have to worry about the flagon with the dragon!

Add song, dance, more witty dialogue, and some classic physical comedy and this has to be one of the best comedies of all time. Like I said, I love it.

Rating: 4.5

Scoop (2006, UK)

Here I am, nearly two years after starting blog, saying the same thing. What the hell, Woody Allen? You think you know what's going on and then he just tosses in the most random twists and turns in the plot.

A famous British journalist dies before he can reveal his big scoop, the identity of the tarot card serial killer of London. He cheats the Reaper and appears to American journalism student Sondra, passing his scoop on to her. She's on stage at a magic show featuring magician Sidney. Sidney and Sondra embark on an investigation to verify the dead journalist's story, which has a wealth aristocrat pegged as the murderer. Things are complicated when Sondra falls in love with the prime suspect.

It's hard to say much without giving the ending away, but I will say that the acting was top notch. Allen himself stole the show. He was very funny with his stutter and repetitive phrases and odd mannerisms/demeanor. Johannson was the perfect nerdy co-ed, while Jackman was a perfect suave aristocrat. (I love Hugh Jackman. He is so yummy and such a good actor!) The plot takes all kinds of unpredictable twists and turns, and it is very laugh-out-loud funny. I read one review that called it a "top-notch 'Woody-Lite,'" which is a perfect description. And as always, Allen chose a fascinating soundtrack that completely set the tone of the film. Wonderful.

Rating: 3.5

Sherlock Holmes (2009, U.S.)

I loved this movie. I don't know much about Sherlock Holmes, so I don't know how true this was to the original characters. But it was wonderful on its own. Above all, it was absolutely laugh-out-loud funny. There was also an excellent mystery that had all the appearance of being rooted in fantasy but having a perfectly realistic explanation.

There was great chemistry between the cast. Robert Downey Jr. has never been my favorite, but he was great, especially with Jude Law as his sidekick. And Rachel McAdams is one of the most underrated actresses of all time. Usually her performance is really subtle, but here she was so over the top, exactly what the role called for.

I haven't seen too many films lately where the scenery or special effects really stood out, but this was definitely one. Victorian London popped off the screen like it was filmed 150 years ago and yesterday all at once.

Hans Zimmer = brilliant composer. Enough said.

Loved it!

Rating: 4.5

Intermission (2003, Ireland)

This film begs comparison to Crash in that it follows the lives of a group of Irish men and women whose lives intersect in the most unlikely and also likely ways.

It was seamlessly pieced together, almost like a dance. Parts were laugh-out-loud funny, parts were touching, parts were hard to watch. The writing was very strong, as was the performance of a great ensemble. I would recommend this one.

Rating: 3.5

How To Lose Friends & Alienate People (2008, UK)

I'm not sure why I wanted to watch this movie. I think it's because every time I see a movie with Simon Pegg, I assume it will be the type of movie I hate, and yet I always like it. He is just someone who can pull off the kind of comedy that doesn't appeal to me and make it truly funny. And he can do the good, witty kind too. I like that.

Basically, this is about an irritating English journalist who crashes parties and irritates celebrities. When he crashes the big Sharp's magazine party, he thinks he's going to get it from Clayton Sharp. Instead, he gets a job there. Even though he irritates people, he has a remarkable sense of journalistic integrity. It's only when he gives up that integrity that he can succeed in his career, however.

I liked this movie. It was funny, it cast attention-seeking type celebrities in a negative light, it highlighted the things that really matter in life. Not what I was expecting, but a nice surprise. I'd definitely recommend it.

Oh, and Kirsten Dunst might finally be growing on me.

Rating: 3.5