Sherlock Holmes: A Game of Shadows (2011, U.S.)

I have heard a lot of people say that they liked this one better than the first one, and I have a hard time deciding whether I agree or not. I remember liking the first one a lot when I first saw it, but when I rewatched it about a week ago, I only liked it about as much as anything else. So, hard to say. Still, this movie was great.

I think I said it before, but I'll say it again. Jude Law and Robert Downey Jr. have such chemistry on screen, to the point where they really don't need any leading ladies. Not in a romantic sort of way or anything, but their witty banter and physical comedy seem interrupted by a lady's presence. They're just too funny. Still, the other actors were good too. I was so excited to see Noomi Rapace out of her goth Salander gear and with a few more healthy pounds on. She made a very good gypsy. The guy who played Moriarty was also eerily good, with that nerdy, seemingly good-natured facade masking pure evil. Oh, and Stephen Fry as "Shirley's" brother = priceless!

The plot was very twisty and convoluted and involved a big conspiracy, and it was fun to watch the whole thing unwind slowly and with such Holmesian flair. I don't want to give anything away, but it was definitely big. And the ending... wow-wee! So shocking, so funny, so entertaining.

And to save my favorite guy for last: Hans Zimmer is just a musical genius, and I loved his soundtrack for this movie. It's no POTC, but it's definitely heading in that direction. His compositions were all very original sounding, but with a hint of inspiration from the plot or setting. It's hard to explain what I mean, but there were some pieces that seemed very Victorian and some that seemed very industrial, etc. The best ones, however, were the ones that were gypsy inspired, with the fiddle and all. Just perfectly done.

I would definitely watch this one again.

Rating: 4.5

Glorious 39 (2009, UK)

I'm not sure where to begin with this one. It was a brilliant idea with beautifully done cinematography and an absolutely stellar cast (such a good cast, in fact, that I didn't have room to tag them all), but somehow it just didn't click for me.

The plot is just a bit too confusing to explain, so it's difficult to review this one. Suffice is to say that the first half of the film had me hooked, but I spent the second half scrambling to keep up and untangle the plot in general and the characters' motivations in particular. The cast was brilliant: Romola Garai, Eddie Redmayne, Bill Nighy, Christopher Lee, Jeremy Northam, Charlie Cox, David Tennant, Julie Christie... just fabulous. They worked well as individual actors and as an ensemble. The WWII-era costuming and sets were very well done, and some of the details perfectly illustrated the horror of the time and of Anne's experience in particular. (The house pets being put to sleep during the war and the displaced diplomats' children were especially vivid.)

This film had amazing, amazing potential, but the pieces just didn't fall into place for me. I wanted to like it. I loved parts of it. But the whole was just incomplete (if you'll excuse the obvious contradiction).

Rating: 2.5

RED (2010, U.S.)

Blah, blah, blah, blah, blah. Look, I am not a huge Bruce Willis fan, but I thought the concept of this one looked pretty good, and the "supporting" cast (Mirren, Malkovich, Freeman, Urban) was a dream. And when I first started this, watching Frank Moses (Willis) go about his boring, retired day, I thought, "Hey, this might be good." It was all downhill from there. The characters were great, and they could have populated a great movie. Instead, they have this meandering plot that makes very little sense. The characters just aren't used as well as they could have been, and many of them have too little screen time. (One even bites the dust before the end, which was quite a shock.)

Verdict? A forgettable, disappointing waste of time. Especially because it had the potential to be great.

Rating: 2.0

Luftslottet som sprängdes (2009, Sweden)

Larsson's novels were very complex and involved a lot of detail about Swedish politics. The films, especially this third film, was much more simple, but still a passable adaptation. The first was definitely the best. This was an interesting look at the Swedish legal system. Apparently the judges/jury, prosecution, defense, and witnesses just sit in a big circle and talk it out! It makes it difficult to believe that the corruption that's the basis for these stories could possibly occur in such a country.

My biggest complaint about this installment was the abrupt ending. It just felt way too sudden. Otherwise, my comment would all be repetitive from the two other films. I will repeat, I think for the second time, that Noomi Rapace is a stellar actress. I look forward to seeing her in more movies.

Rating: 3.5

Metropia (2009, Sweden)

I have to copy the plot summary from imdb to make this make sense: In the near future, oil reserves are nearly depleted and Europe is connected by a series of underground tunnels. While navigating these tunnels, Roger hears a voice in his head. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control at the highest reaches of government.

This is rather oversimplifying, but it's difficult to explain. As you can see from the poster, this had the most interesting animation style I've ever seen. I couldn't quite decide whether it was 2-D or 3-D. The correlation between voice actors and characters was interesting as well. Roger looked vaguely like Vicent Gallo, while Stefan looked even more like Alexander Skarsgård. Yet these two characters also looked like each other a bit (which is a part of the story, not coincidence). So that was all pretty neat.

The world that they created in this dystopian future Europe was fascinating. The superior public transportation system, which is such a positive aspect of European life now, becomes the symbol of the worst parts of life in the future. Consumerism (and objectifying a specific woman in commercials for a specific product) gives the corrupted leaders a means of control over the populace. The colors are mostly black and gray, and only a few things stand out. Most noticeably Roger's dull red jacket, the model's brilliant blond hair, and the bright blue color of the shampoo she's advertising.

I can't fully do this film justice. The concept, the mood, the animation, the voice acting—all were superb. I highly recommend it, especially if you like something a little different every now and then.

Rating: 3.5

Passengers (2008, U.S.)

So Anne Hathaway has never been my favorite, though I am quite fond of Patrick Wilson. I think Netflix might have recommended this one to me.

Claire is a therapist counseling the survivors of a plane crash. The survivors remember an explosion that the airline says didn't happen. When the passengers start disappearing, Claire is determined to find out what happened. She's helped by Eric, one of the survivors who she begins a romance with.

This was actually pretty good in terms of mystery and suspense, in a very slow-building, creepy way. I can't compare it to anything without giving the whole thing away, but let me just say your skin will be crawling by the end. Not bad!

Rating: 3.5

The International (2009, U.S.)

I have rarely been so disappointed with a film starring one of my favorite actors. Or by such a prestigious director. But The International just... wasn't good. I can't say that it was bad, necessarily, but nor was it worth the two hours spent watching it.

It started out really promising, with a shockingly long closeup of Clive Owen's face, looking pensive. That one shot built up more tension than the rest of the movie combined, probably. Why is he just standing there? What's going on? And then a man he's working with dies in front of him, and you think he's about to be killed the same way. But really it was just his overactive imagination. And the suspense end there.

The rest of the film is just a confusing mess. Naomi Watts plays a New York ADA and Clive Owen plays an Interpol agent trying to expose a corrupt international bank. How an NY ADA is going to help with this is very unclear. I guess it was unclear to the screenwriters as well, because Watts' screen time was incredibly short, considering she was given top billing with Owen.

I just don't even have that much to say about this film. The acting was great, of course. Some of the cinematography was unbelievable, including a drawn-out gun fight that takes place in a museum with fascinating architecture. (It could be said, however, that the whole film depended too much on this scene, which was drawn out entirely too long.) I didn't even pay that much attention to the score, which was done by the same guys who did Run Lola Run. It should have been more memorable.

All in all, a huge disappointment.

Rating: 2.0