Luftslottet som sprängdes (2009, Sweden)

Larsson's novels were very complex and involved a lot of detail about Swedish politics. The films, especially this third film, was much more simple, but still a passable adaptation. The first was definitely the best. This was an interesting look at the Swedish legal system. Apparently the judges/jury, prosecution, defense, and witnesses just sit in a big circle and talk it out! It makes it difficult to believe that the corruption that's the basis for these stories could possibly occur in such a country.

My biggest complaint about this installment was the abrupt ending. It just felt way too sudden. Otherwise, my comment would all be repetitive from the two other films. I will repeat, I think for the second time, that Noomi Rapace is a stellar actress. I look forward to seeing her in more movies.

Rating: 3.5

Flickan som lekte med elden (2009, Sweden)

Inevitably, a film adaptation of a complex, multi-layered suspense/mystery novel of the outstanding caliber of Larsson's work just isn't going to have the same impact. True, a lot was too oversimplified (for instance, the sex trade angle, a huge part of the novel's plot, never made sense in the film). Also, the fight between Paolo, Miriam, and the German was way too *bang* *pow* super-choreographed.

Still, a lot of it carried over well. It was very dark and suspenseful. I still think the casting for Lisbeth was excellent, though Mikael was on and off. The music was eerie and dark, perfect to set the appropriate tone. Good stuff, especially if you haven't read the book but even if you have.

Chilling, powerful, engaging, and very Swedish. Good stuff.

Rating: 3.5

Män som hatar kvinnor ( 2009, Sweden)

There's nothing like seeing a film based on a novel starring a bunch of actors you don't know to let you appreciate the quality of the adaptation. This was a great film, and I'm glad I was able to see the Swedish adaptation before the American adaption comes out. (My guess is that this version will be the better one since it wasn't Hollywood-ed up, even if Daniel Craig is going to play Blomkvist in the American movie.)

The casting was pretty near perfect, at least for the two characters who mattered. (The rest I could take or leave.) Blomkvist was a middle aged but sort of ruggedly handsome go-getter type, and Salander was teeny and angry and very punk, with the haircut to match.

It's interesting how something so graphic and violent and awful (i.e. rape, murder, etc.) can seem less so when you read it (and frankly lack the imagination to picture something so horrible) and yet even when they tone it down for a film, it seems ten times as ugly. They definitely kept the bleak tone of the novel, and even the Swedish landscape added to the feel.

One thing that I really missed was the depth of the characters. Larsson had an almost overzealous narrative, rambling about things that seem pretty irrelevant to the plot. That's something that just can't carry over into film. Still, they didn't do an awful job converting it, and otherwise, everything that was good about the book was good about the movie. Suspenseful, complex, character-driven mystery. Wonderful.

Rating: 4.0