
Gosling plays a very strange, withdrawn teenager named Leland P. Fitzgerald who murders his ex-girlfriend's retarded younger brother. However, the focus of the film isn't about the actual murder (we never see the event) or about solving a crime (he admits his guilt from the beginning). Instead, it is about discovering his character and why he committed the murder. Leland says he doesn't know why he did it, but he begins keeping a journal in prison to organize his thoughts. The "United States of Leland" is what he names his journal. He says it doesn't mean he's the president; it just means it's his way of seeing the world. While he never answers the "Why?" regarding the murder, the observant viewer can figure it out. And the reason is sad, and almost beautiful -- for lack of a better word.
Aside from the casting and acting, I also enjoyed Leland's narration, the repetition of a key image at the beginning and end of the film, and the shaken temporal structure that gave the feeling of a puzzle. The viewer therefore has to piece together Leland's confused thoughts as well as the chronology -- not to mention the relationships of all the characters. Leland's confused, the victim's family is confused, the prison teacher is confused, the viewer is confused. Relationships don't make sense, murder doesn't make sense, pain doesn't make sense, love doesn't make sense, life doesn't make sense. And that's sort of the feeling you get from this movie about a lost, lonely, detached teenager who takes his melancholy to an extreme. Fascinating.
Rating: 4.0
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