Even though I thought The Da Vinci Code was terrible (couldn't hold a candle to the book!), I decided to tempt fate and the movie gods and watch Angels & Demons. (It's really hard to say no to Ewan McGregor!)Here's what I think. Like the first installment (that used to be a sequel but is now a prequel... weird), it took quite a few liberties. Mostly it was over-simplified to better fit a film format. However, there was strangely less suspense than in the book, even though they had a great opportunity to make it really come alive. A huge plot point involves a terrorist killing a cardinal every hour, and yet somehow they have time between locating each body to change clothes, do research in the Vatican archives, drive around in traffic, have some drawn out conversations, and then make it to the next murder scene with two minutes to spare. It was completely unbelievable it this respect.
Acting. Tom Hanks was okay. I felt like he didn't capture Langdon at all in the first film, and this was barely an improvement. His female sidekick, the brilliant scientist, was barely there. The strongest performances came from Stellan Skarsgård (the commander of the Vatican police) and Armin Mueller-Stahl (Dean of the College of Cardinals). They weren't major characters, but they were important and played their parts well. Ewan McGregor absolutely stole the show. Surprise, surprise. He was impassioned and calm-headed and pious and worldly at all the right times and in all the right amounts. Brilliant. The one thing that was lacking in his performance was a perfect accent. Usually his accents are passable, but he just sounded like a more toned-down Scot than the Irishman he was supposed to be. Details, details.
The mis en scène was pretty awesome, considering a large percentage of it was probably reproduction. Having been to Vatican City myself, I was pretty impressed with their recreation of the Sistine Chapel and St. Peter's Square. If I didn't know the Vatican would never allow film crews in there, I would believe it was the real thing. Other locations, such as the Castel and Ponte Sant'Angelo and the Fontana dei Quattro Fiumi (absolutely breathtaking in life) could also have been the real thing. Maybe they were. All I know is that I want to rewind time and relive those days I spent strolling around Rome. (Only this time, not in the summer with half of the U.S. and Japan there!)
Away from personal notes. I was impressed with the score from the first notes. I kept thinking that the style of the composition and the quality of performance sounded familiar. Turns out it was composed by Hans Zimmer (one of my all-time favorites) and the violin solos were performed by Jamie Bell (whose performance on the Defiance score is one of the most beautiful things I've ever heard). It had the right mix of suspense and beauty at the right times and did wonders for the film. The only thing that stuck out was when Cardinal Strauss tells Langdon that "of course" God sent him to Rome—and the score becomes suddenly ominous for a few bars. Very odd.
Overall, I can see how people who haven't read the book would love this movie. I thought it was okay, and I didn't want to tear my eyes out after watching it like I did with the first one. So there you have it.
Rating: 3.0
No comments:
Post a Comment